Pintu Algotar's ' "Call Karvo Tane Kanuda" was released on its scheduled release date, July 30, 2025. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. Because this song is the only song in Call Karvo Tane Kanuda and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Call Karvo Tane Kanuda is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Call Karvo Tane Kanuda by Pintu Algotar is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Juni Vaato Yaad Aai | Prakash Jampur | A Major | 8 | 11B | 112 BPM | ||
| Happiness | Keyur Dabhoda | B♭ Major | 8 | 6B | 142 BPM | ||
| Tari Vat Jota Jota Aai Diwali | Rahul Javanpura | D♭ Minor | 9 | 12A | 144 BPM | ||
| Bhalkara De Bhayda | Jigar Hathrol, Gaman Morwada | D Minor | 9 | 7A | 206 BPM | ||
| Vevar | Hansha Bharwad, Pintu Algotar | A♭ Minor | 10 | 1A | 112 BPM | ||
| Man Nu Madaliyu Momai | Hansha Bharwad | F Major | 10 | 7B | 190 BPM | ||
| Ghar No Mobhi | Dharmik Bamosana | E Major | 6 | 12B | 113 BPM | ||
| Addhi Rate Aayo Phone Mara Phone Ma | Jayesh Sodha | D♭ Minor | 8 | 12A | 85 BPM | ||
| Jordar Chitra | Vijay Jornang, Dharmesh Savli | B♭ Major | 6 | 6B | 143 BPM | ||
| Aashiko | Keyur Dabhoda, DJ Dharmesh Savli | A Major | 8 | 11B | 110 BPM | ||
| O Mari Vali | Vijay Jornang | B Minor | 8 | 10A | 138 BPM | ||
| Bhabhi Tar Par Telifon Karta Ta | Savan Bharwad, Mahesh Vanzara | D♭ Minor | 10 | 12A | 192 BPM | ||
| Ajvadu | Vishal Hapor | F Minor | 8 | 4A | 142 BPM | ||
| Aflatun | Utsav Akhaj, DJ Dharmesh Savli | D Minor | 9 | 7A | 154 BPM | ||
| Liludi Dharti | Kinjal Rabari | D♭ Major | 8 | 3B | 94 BPM | ||
| Padmaa (Ek Prem Katha) | Rinku Bharwad | E Major | 9 | 12B | 95 BPM | ||
| Ranuja Ma Manda Mara Moya Re | Kinjal Rabari | F Minor | 10 | 4A | 170 BPM | ||
| Nasib 2 | Sujal Thakor | B Major | 7 | 1B | 142 BPM | ||
| Data | Vijay Jornang | B♭ Major | 8 | 6B | 143 BPM | ||
| Radio Ma Vage Sadhi Mana Gito | Vinod Vaghrol | A Major | 8 | 11B | 81 BPM | ||
| Chamunda Thati Sabdi | Tanvi Chauhan | B Minor | 8 | 10A | 135 BPM | ||
| Tu Mane Chhodine Na Jati | Prakash Jampur, Vandana Barot | F♯ Major | 10 | 2B | 84 BPM | ||
| Ae Mane Yaad Karti Hashe | Vipul Susra | A Minor | 9 | 8A | 142 BPM | ||
| Navab | Jayesh Aal, Jayesh Kharvada | B♭ Minor | 9 | 3A | 150 BPM | ||
| Chamunda Vandna | Jignesh Gadhvi | F♯ Minor | 5 | 11A | 135 BPM |