"Final Ascent - Single Edit / From ''No Time To Die'' Soundtrack" by Hans Zimmer had its release date on November 12, 2021. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Final Ascent - Single Edit / From ''No Time To Die'' Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Final Ascent and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Final Ascent - Single Edit / From ''No Time To Die'' Soundtrack is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Final Ascent - Single Edit / From ''No Time To Die'' Soundtrack by Hans Zimmer is Grave (very slow), since this song has a tempo of 42 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soul Battles | City & Vine | G Minor | 2 | 6A | 126 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Climb Together | Audiomachine | D Major | 5 | 10B | 128 BPM | ||
| Sir Edmund Burton | Steve Jablonsky | D Minor | 1 | 7A | 71 BPM | ||
| Goodbye My Son | Hans Zimmer | A Minor | 1 | 8A | 80 BPM | ||
| The Next Screen (Bonus) | Jeff Russo, Jordan Gagne | E Minor | 3 | 9A | 120 BPM | ||
| Adagio in D Minor (Orchestra Mix) | John Murphy | G Major | 6 | 9B | 120 BPM | ||
| Family Ties | Marco Beltrami | G Major | 1 | 9B | 64 BPM | ||
| Hummell Gets The Rockets | Nick Glennie-Smith, Harry Gregson-Williams, Hans Zimmer | F Minor | 3 | 4A | 109 BPM | ||
| Rest Upon the Edge | Trevor Kowalski | E Minor | 3 | 9A | 67 BPM | ||
| Through the Darkness | Audiomachine | F♯ Major | 5 | 2B | 111 BPM | ||
| Death of a Legend | Trevor Morris | C Major | 1 | 8B | 53 BPM | ||
| This Is My Home | Steven Price | F Major | 2 | 7B | 150 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| Kattegat Celebrates the Fallen | Trevor Morris | D Major | 3 | 10B | 141 BPM | ||
| The Da Vinci Code Orchestra Suite: Part 3 - Live | Hans Zimmer, Vienna Radio Symphony Orchestra, Valentina Nafornita, Rusanda Panfili, Marie Spaemann, Martin Gellner | B♭ Major | 2 | 6B | 69 BPM | ||
| The Da Vinci Code Orchestra Suite: Part 2 - Live | Hans Zimmer, Vienna Radio Symphony Orchestra, Valentina Nafornita, Rusanda Panfili, Marie Spaemann, Martin Gellner | B♭ Major | 2 | 6B | 94 BPM | ||
| Malleus Maleficarum | Hans Zimmer, Richard Harvey | A Minor | 4 | 8A | 88 BPM | ||
| Misneach | Sebastian Plano | D Minor | 4 | 7A | 80 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Purity of Heart | Steve Jablonsky | G Minor | 4 | 6A | 118 BPM | ||
| Emma | Steven Price | D Minor | 4 | 7A | 120 BPM | ||
| Marry Me | Narratio | D Minor | 4 | 7A | 176 BPM | ||
| No Honor Among Men Like Me | Daniel Ciurlizza, Joni Fuller | G Major | 2 | 9B | 115 BPM |