"Home Blues" by George Gershwin & Michael Feinstein had its release date on June 12, 2012. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100% Classical Classics, so we believe that "Home Blues" is a single. In terms of popularity, Home Blues is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Home Blues by George Gershwin & Michael Feinstein is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Full Moon And Empty Arms | Jim Nabors | D Major | 4 | 10B | 94 BPM | ||
| Do It Again | Sarah Vaughan | G Major | 2 | 9B | 110 BPM | ||
| I Could Be Happy with You | Julie Andrews | G Major | 2 | 9B | 142 BPM | ||
| Where Do You Start? - Orchestra Version | Barbra Streisand | G Major | 1 | 9B | 84 BPM | ||
| Who Cares? | Tony Bennett | A Minor | 1 | 8A | 137 BPM | ||
| When Velma Takes the Stand | Ute Lemper, Henry Goodman, Chicago Ensemble (London (1997)) | G Major | 4 | 9B | 113 BPM | ||
| Every Day a Little Death (Act One) | Erin Davie, Ramona Mallory | D♭ Minor | 2 | 12A | 65 BPM | ||
| She's Too Far Above Me - Live | Charlie Stemp | B Minor | 5 | 10A | 130 BPM | ||
| Just A Boy | Harry Connick, Jr. | F Minor | 0 | 4A | 77 BPM | ||
| Since I Fell For You | Eydie Gormé | F Minor | 1 | 4A | 80 BPM | ||
| My Buddy | Dr. John | E♭ Major | 1 | 5B | 75 BPM | ||
| Scrap | Patrick Wilson, John Ellison Conlee, Jason Danieley, Romain Frugé, The Full Monty Ensemble | A♭ Major | 5 | 4B | 127 BPM | ||
| Thinking Of Him | The Original Broadway Cast Of 'Curtains' | D♭ Major | 1 | 3B | 86 BPM | ||
| Prologue: Theme from City of Angels | James Naughton, Peter Davis, Gary Kahn, Amy Jane London, Jackie Presti, Mike Migliori, City of Angels Orchestra, Gordon Lowry Harrell | G Major | 5 | 9B | 153 BPM | ||
| The Impossible Dream (from "Man Of LaMancha") | Joe Darion, Mitch Leigh, John Raitt | E♭ Major | 2 | 5B | 71 BPM | ||
| Skyliner | The Manhattan Transfer | C Major | 6 | 8B | 117 BPM | ||
| I Remember It Well | Maurice Chevalier | E♭ Major | 1 | 5B | 84 BPM | ||
| I Got Lost In His Arms | Annie Get Your Gun - 1999 Broadway Cast, Bernadette Peters, Tom Wopat | A♭ Major | 3 | 4B | 83 BPM | ||
| West Side Story: 8. Cool | Leonard Bernstein, Kurt Ollmann | G Major | 1 | 9B | 73 BPM | ||
| Music of Heaven | Jason Robert Brown | B Major | 3 | 1B | 92 BPM | ||
| 'Long About Now | Tony Bennett | E Minor | 1 | 9A | 96 BPM | ||
| Sunny Side to Every Situation | Karen Prunczik, 42nd Street Ensemble | E♭ Major | 1 | 5B | 139 BPM | ||
| I'm In Love With A Wonderful Guy | Nellie Forbush, The Ken Darby Singers | C Major | 3 | 8B | 95 BPM | ||
| Mother Darling | Scott Frankel, Michael Korie, Erin Davie, Christine Ebersole, Bob Stillman, Matt Cavenaugh | B Major | 3 | 1B | 77 BPM | ||
| For You For Me For Evermore | Ella Fitzgerald | A♭ Major | 2 | 4B | 84 BPM |