Charlie Mars's 'Barfly' had a release date set for March 4, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 9 in Broken Arrow by Charlie Mars. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Barfly's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barfly by Charlie Mars is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Midnight Lorry | DISPATCH | G Major | 5 | 9B | 63 BPM | ||
| Time Gone | Quiet Hounds | A Major | 5 | 11B | 130 BPM | ||
| Don't Forget Where You Came From | The Dirty Guv'nahs | B Major | 8 | 1B | 144 BPM | ||
| Benji Don't Wanna Stay | Charlie Mars | A♭ Major | 7 | 4B | 88 BPM | ||
| The Only One | Charlie Mars | A Major | 5 | 11B | 97 BPM | ||
| West Coast Mama | Deren Ney | G Major | 8 | 9B | 154 BPM | ||
| Call My Name | Matt Costa | D Major | 4 | 10B | 61 BPM | ||
| Got Me Feeling Good | David Shaw | G Major | 6 | 9B | 88 BPM | ||
| Who Built the Moon | Shinyribs | F♯ Minor | 6 | 11A | 164 BPM | ||
| Good and Ready | Anthony D'Amato | G Major | 4 | 9B | 86 BPM | ||
| Amazing Eyes | Good Old War | C Major | 4 | 8B | 148 BPM | ||
| The Great Sea | Still Time | E♭ Major | 5 | 5B | 126 BPM | ||
| Tangerine High | Bombargo | D♭ Minor | 5 | 12A | 77 BPM | ||
| Diamond Road | Railway Gamblers | D♭ Major | 7 | 3B | 104 BPM | ||
| Bad Guy | Charlie Mars | E♭ Major | 5 | 5B | 75 BPM | ||
| Hacienda Motel | Pickwick | B Major | 8 | 1B | 93 BPM | ||
| Brother in the Night | The Weeks | D Major | 7 | 10B | 119 BPM | ||
| Wasted | Kendall Street Company | F♯ Minor | 6 | 11A | 97 BPM | ||
| Wings of White | Desert Noises | B Minor | 7 | 10A | 89 BPM | ||
| Sick and Tired | Pasadena | F Major | 2 | 7B | 114 BPM | ||
| Blue Eyes | Middle Brother | G Major | 7 | 9B | 148 BPM | ||
| Man In The Hall | State Radio, Chadwick Stokes | A Minor | 8 | 8A | 94 BPM | ||
| How Bad We Need Each Other | Marc Scibilia | E Minor | 7 | 9A | 91 BPM | ||
| Ulysses | Mason Jennings | B Major | 4 | 1B | 78 BPM | ||
| Keep Me Around | The Wood Brothers | D Major | 3 | 10B | 88 BPM |