Florindo Sassone's ' "La Trilla" was released on its scheduled release date, April 10, 2012. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. La Trilla's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "The Roots of Tango - El Estrellero". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Trilla's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With La Trilla by Florindo Sassone having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenata | Francisco Lomuto y su Orquesta Típica | G Minor | 3 | 6A | 109 BPM | ||
| Esquinas porteñas | Gloria Diaz, Florindo Sassone | C Major | 4 | 8B | 83 BPM | ||
| Historia de un Amor (with Rodolfo Lesica) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica | F Minor | 4 | 4A | 126 BPM | ||
| Intima | Orquesta Tipica Victor | D Minor | 5 | 7A | 108 BPM | ||
| Mi Serenata | Edgardo Donato & his orchestra, Horacio Lagos | D Major | 2 | 10B | 130 BPM | ||
| Tigre Viejo | Osvaldo Fresedo | C Major | 3 | 8B | 120 BPM | ||
| Milonga Bruja | The Alex Krebs Tango Sextet | F Minor | 5 | 4A | 105 BPM | ||
| El Milongote | Raul Barboza, Daniel Diaz | F Minor | 4 | 4A | 119 BPM | ||
| Organito de la Tarde | Carlos Di Sarli, Alberto Podestá | C Major | 4 | 8B | 116 BPM | ||
| Una fija (Glorias de ayer) | Orquesta Carlos di Sarli | D Major | 4 | 10B | 116 BPM | ||
| Milonga Vieja Milonga | Miguel Villasboas | C Minor | 7 | 5A | 104 BPM | ||
| Duerme Mi Amor | Orquesta Carlos di Sarli, Horacio Casares | C Minor | 3 | 5A | 126 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Sentimiento Gaucho | Quinteto Ángel | G Major | 2 | 9B | 121 BPM | ||
| El Puntazo | Bandonegro | G Minor | 2 | 6A | 133 BPM | ||
| Jamas Ni Nunca | La Juan D'Arienzo | G Minor | 5 | 6A | 137 BPM | ||
| Nada | Carlos Di Sarli, Alberto Podestá | C Major | 5 | 8B | 120 BPM | ||
| Milonga del Uruguay | Donato Racciatti y Su Orquesta Típica | E Minor | 6 | 9A | 109 BPM | ||
| El escondite de Hernando | Florindo Sassone Y Su Orquesta | C Major | 3 | 8B | 116 BPM | ||
| La Espuela | Juan D'Arienzo y su Orquesta Típica | D Minor | 4 | 7A | 110 BPM | ||
| Francia | Francico Canaro | D Minor | 3 | 7A | 94 BPM | ||
| Adoración | Alfredo Gobbi | F♯ Minor | 3 | 11A | 101 BPM | ||
| Bahía Blanca | Carlos Di Sarli | F♯ Minor | 3 | 11A | 112 BPM | ||
| Cacareando | Orquesta Tipica Victor, Carlos de la Fuente | E Major | 4 | 12B | 95 BPM | ||
| El Flete | Juan D'Arienzo and his Orchestra | A Major | 3 | 11B | 133 BPM |