"Ascension" by Mitchell Broom had its release date on May 30, 2019. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Oblivion". In this album, this song's track order is #6. In terms of popularity, Ascension is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ascension by Mitchell Broom having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Moment | Murat Nagoev, Amadea Music Productions | D Minor | 9 | 7A | 95 BPM | ||
| We Will Never Die | Songs To Your Eyes | B Minor | 8 | 10A | 161 BPM | ||
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| Osiris | Samuli Vuori, Armi Paivinen, InfraSound Music | G Major | 6 | 9B | 180 BPM | ||
| Outcast Planet | Emad Yaghoubi, EpicMusicVn | C Minor | 7 | 5A | 77 BPM | ||
| Given Provision | Frameshift Music, Fabian Wiestner | A♭ Minor | 5 | 1A | 140 BPM | ||
| Dark Radiant | Tonal Chaos Trailer Music | A♭ Minor | 5 | 1A | 140 BPM | ||
| Rebellion - Album Mix | Matias Puumala | C Minor | 8 | 5A | 100 BPM | ||
| How Do You Like Me Now | Tonal Chaos Trailer Music | D Major | 8 | 10B | 160 BPM | ||
| All That Remains | Triple Colossal X Music | A Minor | 1 | 8A | 130 BPM | ||
| From the Ashes | Lea Edwards, Harry Lightfoot | B♭ Minor | 6 | 3A | 105 BPM | ||
| Fervid | Power-Haus, TOM-E | E Minor | 7 | 9A | 131 BPM | ||
| Land of the Gods | StudioKolomna | D♭ Minor | 7 | 12A | 138 BPM | ||
| Third Lifestream | Mitchell Broom | D♭ Major | 3 | 3B | 110 BPM | ||
| We Were Humanity | Lorenzo Ferrara | D♭ Major | 8 | 3B | 111 BPM | ||
| Hinomaru | Iliya Zaki | F♯ Minor | 6 | 11A | 89 BPM | ||
| Fathomless | Christopher Marshall | B Minor | 7 | 10A | 144 BPM | ||
| Majestica | Dan Thiessen, Hypersonic Music | D Minor | 4 | 7A | 97 BPM | ||
| This Is Not the End | Tybercore | A♭ Major | 7 | 4B | 85 BPM | ||
| Aurora | Franck Barré | C Minor | 4 | 5A | 79 BPM | ||
| Swords of Revealing Light | Yohei Kuriko, MrEpicOSTs | B♭ Major | 7 | 6B | 125 BPM | ||
| Even Gods Bleed | Mitchell Broom | D Minor | 5 | 7A | 180 BPM | ||
| The Death of Night | Merkwood Music, Ben Berkenbosch | A Minor | 3 | 8A | 106 BPM | ||
| Cryosphere | Punishing Gray Raven, Vanguard Sound, FLuoRiTe | A♭ Minor | 5 | 1A | 140 BPM | ||
| As We Watch the Burning Embers Fall Gently to the Ground | Future Heroes | F Major | 5 | 7B | 80 BPM |