Rita Reys's 'You'd Be so Nice to Come Home To' had a release date set for April 6, 2015. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "The Cool Voice of Rita Reys". In this album, this song's track order is #17. The popularity of You'd Be so Nice to Come Home To is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You'd Be so Nice to Come Home To by Rita Reys having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monotype Ink | Still Geometry Jazz | E♭ Major | 3 | 5B | 75 BPM | ||
| Gramophone Coda | Crying Mirror | G Major | 3 | 9B | 79 BPM | ||
| Mocha Swirl | Impression Blue | B♭ Major | 3 | 6B | 105 BPM | ||
| Deadbolt Guesthouse | Rosalie Jazz | B♭ Minor | 3 | 3A | 62 BPM | ||
| April Age | Cleo Laine | F Minor | 1 | 4A | 81 BPM | ||
| Copper Arcade Waltz | marss ala | F Major | 3 | 7B | 69 BPM | ||
| Last Call Lullaby | WENDO KEN | D Major | 3 | 10B | 105 BPM | ||
| Birch Skirting | Fireside Jazz | G Minor | 2 | 6A | 80 BPM | ||
| Pergola Shade | Still Geometry Jazz | G Minor | 2 | 6A | 75 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| Varnish Sheen | JazZoo | E♭ Major | 2 | 5B | 77 BPM | ||
| Tropical Brass | The Sunny Sides | E♭ Major | 4 | 5B | 99 BPM | ||
| Fractured Cadence | Numa Field | A Minor | 3 | 8A | 119 BPM | ||
| Love's a Tune | Dollar Kruz | C Major | 2 | 8B | 154 BPM | ||
| Midnight on New Year's | Jazz & Co. | G Minor | 1 | 6A | 143 BPM | ||
| Window Reflections | Still Geometry Jazz | B♭ Major | 3 | 6B | 75 BPM | ||
| Did I Remember | Ann Burton | B♭ Major | 1 | 6B | 104 BPM | ||
| She smiles beneath a silver light | Intimate Vibes | G Minor | 2 | 6A | 126 BPM | ||
| Go Away Little Boy | Ann Burton, Louis Van Dijk, Piet Noordijk | C Major | 3 | 8B | 122 BPM | ||
| In a Sentinmental Mood | Ann Hampton Callaway | B♭ Major | 1 | 6B | 82 BPM | ||
| Daybreak Portico | uuunderwater | G Minor | 3 | 6A | 213 BPM | ||
| When the Blues Come On | Rita Reys | B Minor | 0 | 10A | 111 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| Last Night | Katherine Kostoff, Gil Goldstein | C Major | 2 | 8B | 81 BPM | ||
| Classic | Cadence Union | D Major | 2 | 10B | 106 BPM |