Philip Riley's ' "Connect Futuristic Legal" was released on its scheduled release date, November 23, 2019. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Connect Futuristic Legal's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Connect Futuristic Legal and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Connect Futuristic Legal's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Connect Futuristic Legal by Philip Riley is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whispers of the Frozen Tundra | Nordic Ice Echoes | C Minor | 1 | 5A | 85 BPM | ||
| Romantique Fantastique | Herb Ernst | C Minor | 2 | 5A | 76 BPM | ||
| Thunder On The Savannah | Philip Riley | F♯ Minor | 2 | 11A | 85 BPM | ||
| Like Heaven …: Like Heaven... | Philip Riley, Huda Sabour, Hamid Toyouri, Ramin Kousary, Andrew Mortimer, Jon Mark, Chris O'Connor | A Minor | 4 | 8A | 146 BPM | ||
| Awakening | Jayne Elleson, Philip Riley | C Minor | 0 | 5A | 120 BPM | ||
| Athena | Troika | C Major | 1 | 8B | 82 BPM | ||
| Standing Stones | Ad Dios | D Minor | 2 | 7A | 82 BPM | ||
| Passion Tango | Bruce Maginnis, Daniel Weltlinger, Philip Riley | C Minor | 6 | 5A | 155 BPM | ||
| Down By the Salley Gardens | Joanie Madden | G Major | 2 | 9B | 87 BPM | ||
| Fëanor’s Oath | Elysia Draxon | G Minor | 1 | 6A | 147 BPM | ||
| The Journey Home | John Doan | E Major | 2 | 12B | 52 BPM | ||
| Reading a Map by Firelight | Lunaria Melodies, The Soul of Wind | C Minor | 1 | 5A | 85 BPM | ||
| A Radiant Band Of Light | Christopher Franke | G Major | 5 | 9B | 167 BPM | ||
| Inward ToThe Heart | Philip Riley | B♭ Major | 0 | 6B | 156 BPM | ||
| Beyond the Horizon | Frank Steiner Jr. | G Major | 1 | 9B | 198 BPM | ||
| Entwined | Chris Conway | D Major | 2 | 10B | 89 BPM | ||
| As if the Night Came and Went - Single version | Richard Anthony Jay | E♭ Minor | 1 | 2A | 67 BPM | ||
| After Monday | Liliya Kumar, Lofi Chills | B♭ Major | 1 | 6B | 120 BPM | ||
| Voice of the ancestors (Oja) | Mxta Xcoded | C Minor | 1 | 5A | 85 BPM | ||
| Time Between Times | Ad Dios | C Major | 1 | 8B | 77 BPM | ||
| First Light | Mark Clark, Philip Riley | A Minor | 2 | 8A | 83 BPM | ||
| Sirius of Atlantis | Ananda Frequencies | C Minor | 1 | 5A | 85 BPM | ||
| Serenade | Stephen Rhodes | A Major | 0 | 11B | 68 BPM | ||
| Africa - Afrika | Cusco | G Minor | 4 | 6A | 138 BPM | ||
| Wildwood Night | Runestone | A Minor | 1 | 8A | 112 BPM |