"Sancte Francisce Propera" by Costanzo Porta, The Rose Ensemble, Jordan Sramek had its release date on June 1, 2014. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Sancte Francisce Propera's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Rose Ensemble, Jordan Sramek's "Il poverello: Medieval & Renaisssance Music for Saint Francis of Assisi" album is number 6 out of 19. On top of that, United States appears to be the country where this track was created. Sancte Francisce Propera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sancte Francisce Propera by Costanzo Porta, The Rose Ensemble, Jordan Sramek to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Virtute magna reddebant apostoli | Costanzo Porta, Mike Hall | F♯ Major | 0 | 2B | 70 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Missa super Susanne un jour à 5: I. Kyrie | Orlande de Lassus, Chœur De Chambre De Namur, Leonardo García-Alarcón, Lieselot De Wilde, Amélie Renglet, Valerio Contaldo | B♭ Major | 1 | 6B | 134 BPM | ||
| Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | G Minor | 1 | 6A | 72 BPM | ||
| Liturgy of St. John Chrysostom: No. 15, Communion Hymn (Psalm 148) [After Valaam Chant] | Benedict Sheehan, The Saint Tikhon Choir, Timothy Parsons | D♭ Major | 2 | 3B | 129 BPM | ||
| MISA IN TE DOMINE SPERAVI: Kyrie | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
| Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
| The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
| Missa O quam gloriosum: Gloria | Tomás Luis de Victoria, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 126 BPM | ||
| Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | ||
| Missa super Christ unser Herr (Kyrie) | Christoph Bernhard, Vox Luminis, Lionel Meunier, Bart Jacobs | A Minor | 1 | 8A | 63 BPM | ||
| Tallis: O Lord, in Thee Is All My Trust | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 75 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | ||
| Benedictine Monks of the Abbey of Saint Maurice | Gregorian Chanting Monks, Benedictine Monks of the Abbey, Gregorian Chants Healing | A Minor | 2 | 8A | 63 BPM | ||
| This marriage | Ars Poliphonica | B♭ Minor | 1 | 3A | 78 BPM | ||
| Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
| Requiem a 5 voci: Sanctus - Benedictus | Costanzo Porta, Speculum Musicae, Marina Malavasi | D♭ Major | 3 | 3B | 142 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM |