Rise Stevens, Metropolitan Opera Orchester's 'L´amour est un oiseau rebelle (Carmen)' had a release date set for August 24, 2006. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 9 out of 15. L´amour est un oiseau rebelle (Carmen) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L´amour est un oiseau rebelle (Carmen) by Rise Stevens, Metropolitan Opera Orchester to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elisabetta, regina d'Inghilterra: Non bastan quelle lagrime | Gioachino Rossini, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra, Rise Stevens | A Major | 1 | 11B | 93 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "Les voici ! Voici la quadrille !" (Chœur) | Georges Bizet, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Haberdashers' Aske's School Choir, Orchestra of the Royal Opera House, Covent Garden | A Major | 3 | 11B | 131 BPM | ||
| Samson and Delilah (Highlights): Act I, Scene I, "Arrêtez, ô mes frères!" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | C Minor | 5 | 5A | 89 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Seek the Spy | Rise Stevens, Robert Merrill, Jo Sullivan, Sadie McCollum, Peter Palmer | A Major | 1 | 11B | 85 BPM | ||
| Mir ist die Ehre widerfahren (Der Rosenkavalier) | Rise Stevens, Erna Berger | F♯ Major | 2 | 2B | 86 BPM | ||
| H.M.S. Pinafore / Act 2: Never mind the why and wherefore | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, Jeffrey Skitch, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
| Donizetti: L'elisir d'amore, Act 1: "Della crudele Isotta" (Adina, Coro, Giannetta, Nemorino) | Gaetano Donizetti, Francesco Molinari-Pradelli, Angela Arena, Coro dell'Opera di Roma, Mirella Freni, Nicolai Gedda, Orchestra dell'Opera di Roma | B♭ Major | 4 | 6B | 87 BPM | ||
| H.M.S. Pinafore, Act I: A Maiden Fair to See | Gilbert & Sullivan Society of Houston | C Major | 3 | 8B | 129 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Com' è gentil la notte a mezzo" (Ernesto, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Philharmonia Orchestra | A Major | 0 | 11B | 70 BPM | ||
| Il barbiere di Siviglia, Act II: No. 14, Aria. Il vecchiotto cerca moglie | Gioachino Rossini, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Les Contes d'Hoffmann: Act II (Giulietta): Entr'acte - Belle nuit, ô nuit d'amour | Jacques Offenbach, Mildred Miller, Rise Stevens, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Alexander Gibson | D Major | 2 | 10B | 119 BPM | ||
| Si tu m'aimes, Carmen (Carmen) | Robert Merrill, RCA Victor Orchestra, Rise Stevens | E Minor | 3 | 9A | 92 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Aria: "Cerco il mio ben così" (cont.) | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | D♭ Major | 2 | 3B | 82 BPM | ||
| Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
| Mozart: Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 97 BPM | ||
| Carmen: Quand je vous aimerai? . . . L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Rise Stevens, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM | ||
| Habanera | Montserrat Caballé | E Minor | 2 | 9A | 76 BPM |