"The Seduction" by Charlie Mole had its release date on 2012. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Dorian Gray (Original Score Soundtrack) by Charlie Mole. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Seduction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Seduction by Charlie Mole is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viens A Moi | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Grande valse - From 'La lépreuse' | Wojciech Kilar | B Minor | 1 | 10A | 121 BPM | ||
| Mary Meets Percy | Amelia Warner | C Major | 1 | 8B | 60 BPM | ||
| To Every Captive Soul | Hans Zimmer, The Lyndhurst Orchestra, Gavin Greenaway | C Major | 2 | 8B | 83 BPM | ||
| Souls at All | Rachel Portman | D Minor | 1 | 7A | 73 BPM | ||
| The Chairman's Waltz | John Williams, Itzhak Perlman, Yo-Yo Ma | C Major | 2 | 8B | 105 BPM | ||
| Mr. Clay | Johnny Klimek, Tom Tykwer | C Minor | 4 | 5A | 120 BPM | ||
| The Thrombey Family Theme (Solo Piano) | Nathan Johnson | C Minor | 0 | 5A | 101 BPM | ||
| Wong Chia Chi's Theme | Alexandre Desplat | D Minor | 2 | 7A | 78 BPM | ||
| Gothic Ballroom | Derek Fiechter, Brandon Fiechter | E Minor | 1 | 9A | 120 BPM | ||
| A Vampires Heart | Peter Gundry | B Minor | 2 | 10A | 110 BPM | ||
| The Murder at the Vicarage - Lust, Sin, Death | Dominik Scherrer | B Major | 2 | 1B | 140 BPM | ||
| Opening Titles | Christian Henson | A♭ Major | 2 | 4B | 137 BPM | ||
| Alive | Guy Farley | E Minor | 0 | 9A | 120 BPM | ||
| The Soldier's Tale | Nicholas Britell | E♭ Minor | 2 | 2A | 140 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| And We Walk After | Trevor Kowalski | E♭ Major | 1 | 5B | 138 BPM | ||
| Dickensian Theme | Debbie Wiseman, The Locrian Ensemble Of London | F Major | 1 | 7B | 99 BPM | ||
| Bourgeois Nightmare | Patrick Doyle | E♭ Major | 1 | 5B | 81 BPM | ||
| Awaiting Execution | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker, State Choir Latvija | F Major | 1 | 7B | 111 BPM | ||
| Retour à la maison - From 'Bilan trimestriel' | Wojciech Kilar | F Major | 2 | 7B | 69 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| Fall | Kepa Lehtinen | F♯ Minor | 1 | 11A | 70 BPM | ||
| Lament Song | Max Ablitzer | C Minor | 2 | 5A | 124 BPM | ||
| Lestat's Sonata | Joseph Haydn, Manuel Peguero | C Major | 2 | 8B | 120 BPM |