Randy Sandke, Harry Allen, Mulgrew Miller, Peter Washington, Kenny Washington's 'Come Rain or Come Shine' had a release date set for 2003. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 4 out of 12 in Cliffhanger by Randy Sandke, Harry Allen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Come Rain or Come Shine's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Come Rain or Come Shine by Randy Sandke, Harry Allen, Mulgrew Miller, Peter Washington, Kenny Washington is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Didn't We | David Hazeltine, Eric Alexander, Peter Washington, Louis Hayes | F Major | 3 | 7B | 114 BPM | ||
| Suit & Stardust | Jazzaphonics | A Minor | 2 | 8A | 93 BPM | ||
| Quench | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| Pasos en la lluvia | Ryzon Sound | G Minor | 3 | 6A | 107 BPM | ||
| The Wing | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| Nocturne | Randy Sandke | C Major | 1 | 8B | 118 BPM | ||
| Fallen Thrones | Luna Devera | C Major | 2 | 8B | 112 BPM | ||
| white stillness | eire music | B♭ Major | 5 | 6B | 195 BPM | ||
| What Matters Stays | A Jazz Story | G Minor | 3 | 6A | 107 BPM | ||
| Rise Up, Shepherd, and Follow | Tim Green, Trio Cambia | D♭ Major | 4 | 3B | 87 BPM | ||
| Morning Brew | Atomica Music | C Major | 2 | 8B | 137 BPM | ||
| Ginger Night | Ella Mercer | G Major | 0 | 9B | 94 BPM | ||
| Moonlit Conversations | Elegant Jazz, Masami Sato, Jazz Cafe Lounge | A Minor | 3 | 8A | 156 BPM | ||
| Almond Backdrop | Linear Swing Jazz Club | B♭ Major | 1 | 6B | 83 BPM | ||
| Escape In Notes | Alley Jazz Road | G Minor | 3 | 6A | 107 BPM | ||
| Lost Moon | Julian Moonray | G Minor | 0 | 6A | 147 BPM | ||
| Summit Vengeance | Elian Tumbao | D♭ Major | 9 | 3B | 136 BPM | ||
| Zesty Flavor | BOKABOKA@Music | C Major | 3 | 8B | 135 BPM | ||
| For No One | James Suggs | G Major | 2 | 9B | 106 BPM | ||
| The Look Of Love | David Hazeltine, Eric Alexander, Peter Washington, Joe Farnsworth | A♭ Major | 2 | 4B | 83 BPM | ||
| Mystic Chords | Jazz Cafè | G Major | 4 | 9B | 120 BPM | ||
| Lazy Afternoon | Stevie Holland | C Major | 5 | 8B | 148 BPM | ||
| Approaching the Line | Croma Collective | G Minor | 3 | 6A | 107 BPM | ||
| Martin’s Place | The Beckett Assembly | G Minor | 3 | 6A | 107 BPM | ||
| Cream & Rhythm | Dolce Vita | C Minor | 3 | 5A | 130 BPM |