Six Organs Of Admittance's 'Eighth Cognition/All You've Left' had a release date set for January 25, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "School of the Flower". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Eighth Cognition/All You've Left is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eighth Cognition/All You've Left by Six Organs Of Admittance having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can't Say That You're Lonely (Instrumental Creditative Meditaturance) | Windows to Sky | D Major | 2 | 10B | 141 BPM | ||
| Gone to Earth | The American Analog Set | B Major | 4 | 1B | 110 BPM | ||
| Dry Bones In the Valley (I Saw the Light Come Shining 'Round and 'Round) | Gastr Del Sol | D Major | 1 | 10B | 83 BPM | ||
| On health | Karen Ellis | A Major | 4 | 11B | 111 BPM | ||
| pick your poison | Whispergun | B♭ Major | 5 | 6B | 136 BPM | ||
| To Hold Down a Shadow | Pullman | F♯ Major | 3 | 2B | 101 BPM | ||
| My Familiar | Six Organs Of Admittance | B♭ Major | 4 | 6B | 141 BPM | ||
| It's All About Us | The American Analog Set | A Minor | 2 | 8A | 173 BPM | ||
| Rudy Foolish | Matt Sweeney, Bonnie Prince Billy | A Major | 2 | 11B | 124 BPM | ||
| Glossolalia | Vic Chesnutt | E Minor | 2 | 9A | 116 BPM | ||
| Jenny's Song | Tren Brothers, Mick Turner, Jim White | D♭ Minor | 3 | 12A | 105 BPM | ||
| Twenty Cycles To The Ground | Jason Molina, Will Johnson | C Major | 5 | 8B | 112 BPM | ||
| Someday (We´ll Be Dead) | Jimi Florence | A Major | 3 | 11B | 95 BPM | ||
| How Sweet I Roamed | Acetone | A Major | 2 | 11B | 78 BPM | ||
| Life on Earth | Tiny Vipers | E Minor | 1 | 9A | 170 BPM | ||
| Death In The Sea | Bonnie Prince Billy, Matt Sweeney | E Major | 2 | 12B | 130 BPM | ||
| Care | Advance Base | A Major | 4 | 11B | 171 BPM | ||
| Unfinished | Bedhead | G Major | 0 | 9B | 107 BPM | ||
| Silver Hand | Case Studies | A Major | 3 | 11B | 81 BPM | ||
| Then the Letting Go | Dawn McCarthy, Bonnie Billy | F Minor | 1 | 4A | 95 BPM | ||
| Canon in D | Taxi Cab Rejects | D Major | 2 | 10B | 107 BPM | ||
| Sunday Noises | Califone | C Minor | 5 | 5A | 175 BPM | ||
| All That They Left You | Six Organs Of Admittance | G Major | 8 | 9B | 138 BPM | ||
| Beast For Thee | Bonnie Prince Billy, Matt Sweeney | B Major | 1 | 1B | 81 BPM | ||
| This Cloud We're On | Idaho | F♯ Major | 7 | 2B | 197 BPM |