Norman Brown's ' "Just Between Us" was released on its scheduled release date, January 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Norman Brown's "Just Between Us" album is number 2 out of 11. On top of that, United States appears to be the country where this track was created. Just Between Us is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Just Between Us by Norman Brown to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Into The Night | Urban Jazz Coalition | A Minor | 6 | 8A | 88 BPM | ||
| Someday Soon | Hiroshima | A♭ Major | 6 | 4B | 112 BPM | ||
| Just Hold Me | Walter Beasley | C Major | 5 | 8B | 146 BPM | ||
| Midnight Drive | Michael Lington | F Minor | 5 | 4A | 109 BPM | ||
| Never Too Much | Paul Jackson, Jr. | D Major | 8 | 10B | 104 BPM | ||
| Cafe Regio's | Kim Waters, Norman Brown, Chris Davis | D♭ Major | 6 | 3B | 83 BPM | ||
| Midnight At The Oasis | Kim Waters | A♭ Major | 6 | 4B | 89 BPM | ||
| Morning Breeze | Jazz Holdouts | C Major | 6 | 8B | 98 BPM | ||
| 24/7 | Paul Brown | F Minor | 6 | 4A | 104 BPM | ||
| Lip Service | Richard Elliot | F Minor | 5 | 4A | 87 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| Outer Drive | Michael Manson, Paul Jackson, Jr. | F Minor | 5 | 4A | 99 BPM | ||
| Bossa Blue | Chris Standring | D Minor | 5 | 7A | 100 BPM | ||
| The Sunday After | Bill Evans | F Minor | 4 | 4A | 92 BPM | ||
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| Shade Tree | Cal Harris Jr. | G Major | 7 | 9B | 102 BPM | ||
| That's The Way Of The World | Kim Pensyl | F♯ Major | 4 | 2B | 76 BPM | ||
| New Bounce (feat. Vincent Ingala) | Oli Silk, Vincent Ingala | F Minor | 6 | 4A | 96 BPM | ||
| Exotic Love | Bobby Lyle | D Minor | 6 | 7A | 94 BPM | ||
| Until Dawn | Kim Waters | G Minor | 5 | 6A | 90 BPM | ||
| Street Talk | Dan Siegel | G Minor | 5 | 6A | 111 BPM | ||
| Mildred's Attraction | Joyce Cooling | G Major | 7 | 9B | 112 BPM | ||
| Drive Time | Chris Botti | B♭ Major | 7 | 6B | 110 BPM | ||
| 18th & Vine | Julian Vaughn | G Minor | 7 | 6A | 78 BPM | ||
| Love's Taken Over | Nate Harasim, Jason Rahn, Jay Soto | E Minor | 8 | 9A | 172 BPM |