"The Eleventh Hour" by Chromatics had its release date on March 26, 2012. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Chromatics's "Kill For Love" album is number 9 out of 16. Based on our statistics, The Eleventh Hour's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Eleventh Hour by Chromatics to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Running From The Sun | Chromatics | A Minor | 3 | 8A | 108 BPM | ||
| Sleep Games | Pye Corner Audio | B Minor | 5 | 10A | 96 BPM | ||
| 1.2_3-therealshayla.wav | Mac Quayle | E♭ Major | 0 | 5B | 70 BPM | ||
| Memories (Someone We'll Never Know) | Clint Mansell | A Minor | 0 | 8A | 73 BPM | ||
| Ultras | Lust For Youth | G Major | 4 | 9B | 123 BPM | ||
| Dead Eyes | John Carpenter | D Minor | 3 | 7A | 89 BPM | ||
| The Sun Will Rise yet We Won't Be Here | Heinali | G Major | 3 | 9B | 76 BPM | ||
| ^tre | Nicolas Jaar | A♭ Major | 2 | 4B | 134 BPM | ||
| Cherry's Dream | Chromatics | F♯ Major | 1 | 2B | 113 BPM | ||
| As if It Would Have a Universal and Memorable Ending | Shane Carruth | G Major | 3 | 9B | 123 BPM | ||
| Raindrops | The One Outs, Chromatics, Metrik, Feint | G Major | 6 | 9B | 110 BPM | ||
| What If We Could? | Trent Reznor and Atticus Ross | A Minor | 1 | 8A | 140 BPM | ||
| Borderlands | Tim Hecker | D♭ Minor | 4 | 12A | 114 BPM | ||
| Rattling Cage - Remastered | Forest Swords | D♭ Major | 2 | 3B | 152 BPM | ||
| Frontière | College | C Major | 8 | 8B | 114 BPM | ||
| I Drive | Cliff Martinez | C Major | 1 | 8B | 78 BPM | ||
| The Silent Chorus | John Maus | C Major | 6 | 8B | 80 BPM | ||
| One Perfect Moment | Trent Reznor and Atticus Ross | D Major | 2 | 10B | 70 BPM | ||
| Immolate Yourself | Telefon Tel Aviv | B Minor | 8 | 10A | 105 BPM | ||
| To Light Alone I Bow | S U R V I V E | B♭ Major | 2 | 6B | 120 BPM | ||
| Mai Mes | John Talabot | E Minor | 7 | 9A | 101 BPM | ||
| Haunted Sequence | Rob | G Major | 5 | 9B | 115 BPM | ||
| Caramel Afternoon - Prologue | Röyksopp | A♭ Major | 1 | 4B | 120 BPM | ||
| Victims | Tropic of Cancer | A Major | 10 | 11B | 105 BPM | ||
| Daisyphobia | Youth Lagoon | E Minor | 7 | 9A | 129 BPM |