Mark Neumann's ' "Altered State" was released on its scheduled release date, January 1, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Tubular Bells II". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Australia. In terms of popularity, Altered State is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Altered State by Mark Neumann having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marchenbilder, Op. 113 (No. 3 Rasch) | En-Chi Anna Ho, Mark Neumann | G Minor | 0 | 6A | 102 BPM | ||
| Summer & Storm | LAYERS CLASSIC | G Minor | 5 | 6A | 158 BPM | ||
| The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 4 in B Minor [Original in F Minor] | Johannes Brahms, Baiba Skride, Lauma Skride | E Major | 3 | 12B | 137 BPM | ||
| Paganiniana | Nathan Milstein, Clara Jumi Kang | A Minor | 1 | 8A | 127 BPM | ||
| Lullaby | Rebecca Clarke, Geneviève Laurenceau, Jean-Frédéric Neuburger | F Major | 0 | 7B | 102 BPM | ||
| Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) | Louise Bessette, Marc Djokic | G Minor | 1 | 6A | 132 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | F Major | 0 | 7B | 102 BPM | ||
| Kinderszenen, Op.15 - Cello And Piano: Träumerei | Robert Schumann, Mstislav Rostropovich, Alexander Dedyukhin | F Major | 1 | 7B | 88 BPM | ||
| Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| 5 Salonstücke, Op. 28: No. 4, Romanze (Arr. Isserlis for Cello & Piano) | Ferdinand David, Steven Isserlis, Connie Shih | F Major | 0 | 7B | 102 BPM | ||
| Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": III. Andante - Allegro | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Andante sostenuto | Camille Saint-Saëns, Zuill Bailey, Roanoke Symphony Orchestra, David Wiley | E Minor | 1 | 9A | 180 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro – Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
| Double Bass Sonata: I. Largo | Henry Eccles, Ferenc Csontos, Balazs Szokolay | A Minor | 0 | 8A | 178 BPM | ||
| Sunset Door | Mark Neumann | F Major | 0 | 7B | 102 BPM | ||
| Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | ||
| Schwanengesang, D. 957: No. 4, Standchen (arr. For violin and piano) [Leise flehen meine Lieder] | Franz Schubert, Robert Koenig, Si-Qing Lu | D Major | 0 | 10B | 61 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Baden-Badener Philharmonie, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: IV. Les furies | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
| Eccles: Sonata in G Minor: I. Largo | Mark Morton | G Minor | 0 | 6A | 139 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38 No. 1 (Arr. for 2 Cellos): I. Allegro non troppo | Bernhard Romberg, VC2 Cello Duo | E Minor | 3 | 9A | 133 BPM | ||
| Popper: Hungarian Rhapsody, Op. 68 | David Popper, Gautier Capuçon, Jerome Ducros | D Major | 1 | 10B | 159 BPM |