On 2006, the song "Rangila Shreenathji" was released by Master Rana. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Shreenathjini Zankhi (Shreenathjini Mala-2)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from India. In terms of popularity, Rangila Shreenathji is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rangila Shreenathji by Master Rana having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prabhu Tam Vina | Shree Swaminarayan Temple Bhuj | F♯ Major | 5 | 2B | 146 BPM | ||
| Maiya Tere Dar Pe | Shri Prakash Gossai | A Major | 6 | 11B | 164 BPM | ||
| Podhe Prabhu | Harikrishna Patel | A Minor | 3 | 8A | 178 BPM | ||
| O Virpurvala Bapaliya Tara | Kamlesh Barot | A♭ Major | 5 | 4B | 108 BPM | ||
| Govind Dev Ji Ke Mandir Me - Krishna Bhajan | Satish Dehra, Mukul Soni | G Major | 2 | 9B | 71 BPM | ||
| Varghodo Varghodo | Nidhi Dholakia | D♭ Minor | 4 | 12A | 96 BPM | ||
| Lagan Lollipop Remix | Master Rana, Humayun Makrani, Umesh Barot, Puja Joshi, Parikshit Tamaliya, Pooja Mistry, Anurag Prapanna, Dipika Raval | E Minor | 9 | 9A | 142 BPM | ||
| Ishwar Tu Pan Chhe Vignani | Birju Barot | A Major | 9 | 11B | 106 BPM | ||
| Ame Maiyasha Kansra Jana | Raghuveer Kunchala | E♭ Major | 6 | 5B | 137 BPM | ||
| Vhala Ne Makhan Bhave Re | Utpal Jivrajani, Nidhi Dholakia | C Minor | 5 | 5A | 132 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| PARNIYU BANDHAY MA JASODAJI | Nidhi Dholkiya | F Minor | 9 | 4A | 91 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Hari Chhel Bajae | Rajkot Gurukul | D♭ Major | 8 | 3B | 120 BPM | ||
| Dante Siri Daayi | Dukalu Yadav | A Major | 8 | 11B | 80 BPM | ||
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Aaj Biraj Mein Hori | Nitin Devka, Urvashi Pandya | A♭ Major | 8 | 4B | 140 BPM | ||
| Jagati Jag Ma Jagdamba | Achal Mehta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Natraj Stuti | Madhvi Madhukar | A♭ Minor | 6 | 1A | 134 BPM | ||
| Allah Malik Haie | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Aja Mane Samo Malyo Chhe Alabelo | Baps Swaminarayan Sanstha | D Major | 2 | 10B | 86 BPM | ||
| Aarti Shrinathji Ni Mangla Kari | Ami Joshi | F Minor | 5 | 4A | 109 BPM | ||
| Aarti Shree Jambh Tumari Jambheshwar Bhajan | Sant Rajuram Ji | E♭ Minor | 7 | 2A | 88 BPM | ||
| Mohe Panghat Pe.. | Morari Bapu | D♭ Minor | 3 | 12A | 155 BPM |