George Morgan's ' "Born To Be With You - Original Stop Records Recording" was released on its scheduled release date, January 1, 1969. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Born To Be With You - Original Stop Records Recording's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Morgan's "Like A Bird (Original Stop Records Recordings)" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Born To Be With You - Original Stop Records Recording's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Born To Be With You - Original Stop Records Recording by George Morgan to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Almost - Remastered | George Morgan | E Major | 6 | 12B | 167 BPM | ||
| Burning Memories - Single Version | Ray Price | G Minor | 3 | 6A | 102 BPM | ||
| Have I Told You Lately That I Love You | Red Foley, Kitty Wells | A Major | 2 | 11B | 120 BPM | ||
| Wondering | Webb Pierce | G Major | 1 | 9B | 96 BPM | ||
| Lonesome 7-7203 | Tony Booth | G Major | 5 | 9B | 136 BPM | ||
| Down the Street | Ned Miller | F♯ Major | 2 | 2B | 76 BPM | ||
| I Fall to Peces | David Houston | E♭ Major | 7 | 5B | 97 BPM | ||
| That's Me Without You | Webb Pierce | E Major | 4 | 12B | 110 BPM | ||
| Invisible Tears | Ned Miller | G Major | 1 | 9B | 96 BPM | ||
| Which One Is to Blame | The Wilburn Brothers | D Major | 3 | 10B | 129 BPM | ||
| Just Between The Two Of Us | Charlie Louvin | C Major | 3 | 8B | 112 BPM | ||
| There Goes My Everything | Jack Greene | B♭ Major | 2 | 6B | 129 BPM | ||
| Almost | George Morgan | D Major | 1 | 10B | 105 BPM | ||
| It Will Never Rain Roses | Al Terry | C Major | 3 | 8B | 101 BPM | ||
| I'm Just Here to Get My Baby Out of Jail | Claude King | D Major | 3 | 10B | 84 BPM | ||
| Already It's Heaven | David Houston | A Major | 3 | 11B | 90 BPM | ||
| Then I'll Stop Loving You | The Browns | G Major | 3 | 9B | 110 BPM | ||
| I'll Sail My Ship Alone | Sons of the Pioneers | D Major | 5 | 10B | 94 BPM | ||
| I'll Take The Dog | Jean Shepard, Ray Pillow | E Major | 6 | 12B | 116 BPM | ||
| Johnny Valentine | Claude King | G Major | 4 | 9B | 169 BPM | ||
| Our Chain of Love | Jeannie Seely, Jack Greene | C Major | 5 | 8B | 129 BPM | ||
| Send Me The Pillow You Dream On | Hank Locklin | E♭ Major | 4 | 5B | 117 BPM | ||
| Sweet Lovin' | Claude King | G Major | 5 | 9B | 185 BPM | ||
| Deep Water | Carl Smith | F Major | 5 | 7B | 148 BPM | ||
| Make That One for the Road a Cup of Coffee | Lefty Frizzell | E Major | 4 | 12B | 122 BPM |