"リベンジマッチ" by Yuta Bandoh had its release date on June 26, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 「怪獣8号」オリジナル・サウンドトラック, so we believe that "リベンジマッチ" is a single. Based on our statistics, リベンジマッチ's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of リベンジマッチ by Yuta Bandoh is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cometh the hour - avant garde 2023 | Shiro SAGISU | G Minor | 5 | 6A | 100 BPM | ||
| The Culling Game Begins (from Jujutsu Kaisen) - Epic Version | Paul Drew | E♭ Minor | 5 | 2A | 74 BPM | ||
| 嫉妬 | 出羽良彰 | G Major | 6 | 9B | 170 BPM | ||
| 潜在犯 | Yugo Kanno | G Minor | 5 | 6A | 145 BPM | ||
| Always | Trevor Morris, Trey Toy | C Major | 5 | 8B | 95 BPM | ||
| Neural Network | 橋口佳奈 | D♭ Major | 6 | 3B | 130 BPM | ||
| Kaiju Attack!!! | Yuta Bandoh | B Major | 3 | 1B | 136 BPM | ||
| 立川基地炎上 | Yuta Bandoh | B Major | 3 | 1B | 136 BPM | ||
| Do you take action, or don'tcha?! | Yuki Furuhashi | G Major | 8 | 9B | 160 BPM | ||
| Dull Knife | 照井順政 | A♭ Major | 6 | 4B | 90 BPM | ||
| Head Up High | 高田龍一, 帆足圭吾 | D Major | 7 | 10B | 122 BPM | ||
| Never Break Down | Yuta Bandoh, THE KAIJU BAND, Leo Imai | C Major | 8 | 8B | 168 BPM | ||
| GATE HASSEI -NEIBA SHUUGEKI- | Kenji Kawai | A Major | 4 | 11B | 130 BPM | ||
| ギア5の戦い | Kohei Tanaka | A Minor | 3 | 8A | 114 BPM | ||
| Timekeeper | Finishing Move Inc., Borderlands Music | D Major | 10 | 10B | 124 BPM | ||
| 両面宿儺 | Hiroaki Tsutsumi | G Major | 5 | 9B | 83 BPM | ||
| 強度 | Yuta Bandoh, Ensemble FOVE | F Major | 2 | 7B | 146 BPM | ||
| Sukuna Divine Flame Theme (JJK Chapter 259 Fanmade Soundtrack) | Ergun Bicer of Moody Music | D Major | 10 | 10B | 122 BPM | ||
| The cyborg walks | Makoto Miyazaki | A Major | 9 | 11B | 108 BPM | ||
| もう二度とない | HOYO-MiX | D Major | 9 | 10B | 95 BPM | ||
| Coiled Strike | Oleksa Lozowchuk | E Major | 7 | 12B | 164 BPM | ||
| On The Land Of Barking Smell | FreQuency | B Minor | 8 | 10A | 172 BPM | ||
| Petrification - 堤博明 | Hiroaki Tsutsumi | D Major | 4 | 10B | 181 BPM | ||
| TORI ON HEY SHOUKAN | Kenji Kawai | G Major | 8 | 9B | 152 BPM | ||
| Cath Palug | KOHTA YAMAMOTO | B Minor | 8 | 10A | 108 BPM |