Rita Reys, Bengt Hallberg's ' "I'm Glad There Is You" was released on its scheduled release date, January 1, 1959. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Two Jazzy People". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, I'm Glad There Is You's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With I'm Glad There Is You by Rita Reys, Bengt Hallberg having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balcony con Ombra | walkin around jazz | C Minor | 1 | 5A | 186 BPM | ||
| Somewhere Down The Line | Freddy Cole | F Major | 2 | 7B | 173 BPM | ||
| Sundown Arcade | uuunderwater | D Minor | 4 | 7A | 81 BPM | ||
| I've Grown Accustomed To Your Face | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 1 | 4B | 121 BPM | ||
| Blue Note Parlor | Polaroid Sessions | E Minor | 2 | 9A | 76 BPM | ||
| The Glory Of Love | Ann Hampton Callaway, David Gilmore | D Minor | 4 | 7A | 103 BPM | ||
| Empty Roads, Warm Cup | Diner Express | C Major | 2 | 8B | 80 BPM | ||
| She walks in slow, the crowd divides | Intimate Vibes | C Major | 2 | 8B | 75 BPM | ||
| Cold Milk and a Lie | Retro Cafe Radio | G Major | 4 | 9B | 96 BPM | ||
| Cobblestone Vignette | Monochrome Silence | A Minor | 2 | 8A | 72 BPM | ||
| What a Difference a Day Makes | Rita Reys | F Minor | 3 | 4A | 118 BPM | ||
| Taking A Chance On Love | Rita Reys | A♭ Major | 3 | 4B | 87 BPM | ||
| Umber Timbre | Misty Waves | F Major | 3 | 7B | 125 BPM | ||
| This Is The Life | Freddy Cole | G Major | 4 | 9B | 88 BPM | ||
| Nothing on My Mind | Mira Rae | C Major | 2 | 8B | 90 BPM | ||
| bite marks | Whisper Darling | A Minor | 3 | 8A | 174 BPM | ||
| Daybreak Portico | uuunderwater | G Minor | 3 | 6A | 213 BPM | ||
| Blue Silence (1940s Jazz) | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| Transcending Moods | Warren Wills | C Major | 2 | 8B | 76 BPM | ||
| Slate Conservatory | Polaroid Sessions | G Minor | 2 | 6A | 69 BPM | ||
| Matchbook Prelude | Polaroid Sessions | E♭ Major | 3 | 5B | 73 BPM | ||
| Swingin' Through the City | Art Swing | F Major | 4 | 7B | 128 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| Le tue mani | Jazzitalyando Trio | F♯ Major | 6 | 2B | 83 BPM | ||
| Escape In Notes | Alley Jazz Road | A♭ Major | 3 | 4B | 86 BPM |