Bali, Paleram, Satbir, Ranbir's ' "Hey Laxmi Roop Part 6" was released on its scheduled release date, June 16, 2021. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Fatahgad Hariyana Competition Vol 3 by Bali. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Hey Laxmi Roop Part 6's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Hey Laxmi Roop Part 6 by Bali, Paleram, Satbir, Ranbir is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bolbam Jiba Ho Kandhe Bohi Kawanr | Bali, Subrat Moharana | A♭ Major | 8 | 4B | 131 BPM | ||
| Ratanala Maa Devudu | Jadala Ramesh | D Minor | 6 | 7A | 97 BPM | ||
| Kashi Dur Jaau Panyashi | Shakuntala Jadhav | D Major | 7 | 10B | 137 BPM | ||
| Guru Man Sang Ke Pass Part 9 | Ranbir, Bali, Satbir, Pale Ram | F Minor | 9 | 4A | 142 BPM | ||
| Chal Bhagi Jima | Santanu Sahu, SITAL SAHU | E♭ Minor | 9 | 2A | 81 BPM | ||
| Dhaka Dhaka Kare Lago | Mudavath Srinivas, Vandana Palamuru | E Minor | 7 | 9A | 88 BPM | ||
| Mara Kano Ma Koi Kahetu Re | Sadhana Sargam, Arvind Barot | G Major | 4 | 9B | 93 BPM | ||
| Vaara Banthamma Shanivaara | B. R. Chaya | D♭ Major | 9 | 3B | 169 BPM | ||
| Ek Bar Riskshaw Me Part 5 | Paleram, Bali, Ranbir | D Major | 4 | 10B | 137 BPM | ||
| Yellamma Stuthi | Surekha, Sowmya | F Major | 4 | 7B | 73 BPM | ||
| Aage Aage Paduthiba Khai Kaudi | Namita Agrawal | G Minor | 7 | 6A | 144 BPM | ||
| Chal Kabaria Shiba Mandira | Jitu, Bali | F Minor | 9 | 4A | 142 BPM | ||
| Radhe Tere Darbar Ki Mahima Nirali Hai | Krishna Goswami Ji Maharaj | F Major | 8 | 7B | 84 BPM | ||
| Oh Re Dular Yeshu | Pawan Roy, Pankaj Roy, Jyoti Sahu | A Minor | 5 | 8A | 173 BPM | ||
| Dandalu Dandalu Srirama | Akunuri Devayya | B Major | 6 | 1B | 143 BPM | ||
| Tuli Tuli Tara Tuli | Subrat Moharana | G Minor | 9 | 6A | 170 BPM | ||
| Mo Tuuku Mushi Bulei Neija Thare | Namita Agrawal | G Major | 8 | 9B | 178 BPM | ||
| A Maa Dekhilo | Govinda Chandra, Bali | A♭ Major | 7 | 4B | 82 BPM | ||
| Galare Gala Gala | Umakant Barik | B Minor | 10 | 10A | 153 BPM | ||
| Hengadiyo Geleya | Shabbir Dange | D Major | 4 | 10B | 140 BPM | ||
| Do Khadad Ghode The Part 4 | Paleram, Bali, Ranbir | D Major | 4 | 10B | 137 BPM | ||
| Dil Nebu Hele Dil | Santanu Sahoo | G Minor | 8 | 6A | 142 BPM | ||
| Vanla Re Vaaya Kanuda | Lalita Ghodadra | B♭ Major | 5 | 6B | 119 BPM | ||
| Halave Halave | Narsinh Mehta, Sanat Vyas | F Minor | 4 | 4A | 82 BPM | ||
| Sapane Aauchha Go | Subrat Moharana, Bali, Sheetal Jagdala | A Major | 7 | 11B | 152 BPM |