Chitra Roy's ' "Govinda Maadhava" was released on its scheduled release date, January 1, 2008. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Nivedan". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Govinda Maadhava is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Govinda Maadhava by Chitra Roy having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sree Gurobe Namoh | Aditi Munshi | C Major | 5 | 8B | 142 BPM | ||
| Saans Saans Mein | Chitra Roy | A♭ Major | 1 | 4B | 121 BPM | ||
| Jabanwa Rama Ulta Ho Gail | Karina Pandey | B♭ Minor | 7 | 3A | 79 BPM | ||
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| Vishwa Lochani | Bhanumathi Narasimhan | C Major | 2 | 8B | 77 BPM | ||
| Bhabo Sagar Taran Karon He - Original | Apily Dutta Bhowmick, NA | C Major | 7 | 8B | 78 BPM | ||
| Kuch Toh Kaho Kishori | Devi Chitralekhaji | A Major | 7 | 11B | 126 BPM | ||
| Shri Badrinarayan Aarti | Vishwajeet Borwankar | F Major | 5 | 7B | 80 BPM | ||
| Hanuman Stuti | Prem Prakash Dubey | D♭ Major | 9 | 3B | 75 BPM | ||
| Parameshwari | Vikram Hazra | C Major | 7 | 8B | 125 BPM | ||
| Jai Jai Maa | Soumya Pandey | E♭ Major | 3 | 5B | 187 BPM | ||
| Mohan Muralidhara | Sachin Llimaye | D♭ Minor | 4 | 12A | 96 BPM | ||
| Hanuman Ji Ki Aarti | Shri. Mridul Krishna Shastri | D♭ Major | 6 | 3B | 95 BPM | ||
| Hey Nand Nand Gopala | Rishi Nityapragya | C Major | 7 | 8B | 140 BPM | ||
| Tumase Ho Jori | Rishi Nityapragya | G Minor | 3 | 6A | 88 BPM | ||
| Hare Krishna 5 - Original | Debjit, Bitu Samajpati, NA | F♯ Major | 6 | 2B | 149 BPM | ||
| Swaminarayan Dhun | Jaydeep Swadia | D Minor | 5 | 7A | 124 BPM | ||
| Aho Shri Satpurushke | SRMD Bhakti | D Major | 3 | 10B | 98 BPM | ||
| Jai Jai Devi Jagadamba | Dr. Manikantan Menon | B Minor | 8 | 10A | 120 BPM | ||
| Vighna Harana | Sachin Limaye | D♭ Major | 4 | 3B | 141 BPM | ||
| Durge Durge | Vikram Hazra | G Minor | 9 | 6A | 170 BPM | ||
| Aaj Mare Orde Re Aavya Avinashi Albel-Pad 03 | Hemant Joshi, Gurukul Balvrund | D♭ Minor | 5 | 12A | 142 BPM | ||
| Morilo | Imon Chakraborty | A Major | 2 | 11B | 77 BPM | ||
| Sishur Saral Haasi | Srikanta Acharya | C Major | 4 | 8B | 98 BPM | ||
| Jaya Jaya Aarat Ram Tumhari | Amritha Gulvady Savoor | A♭ Major | 7 | 4B | 170 BPM |