"Lewis Comes Out" by Craig Richey had its release date on June 14, 2019. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 22 in Being Frank (Original Motion Picture Soundtrack) by Craig Richey. Based on our statistics, Lewis Comes Out's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lewis Comes Out by Craig Richey is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jisas Yu Holem Hand Blong Mi | Chris Kiehne | C Major | 0 | 8B | 132 BPM | ||
| Everyone Loses | Jongnic Bontemps, Raashi Kulkarni | D♭ Minor | 4 | 12A | 73 BPM | ||
| Here We Are | Gregory James Thomas | E Minor | 7 | 9A | 132 BPM | ||
| On the Road | Jay Wadley | A Major | 0 | 11B | 138 BPM | ||
| Nightingale | Marcus Mumford, Tom Howe | A♭ Minor | 1 | 1A | 111 BPM | ||
| One Day Main Titles | Rachel Portman | D Major | 2 | 10B | 70 BPM | ||
| Can People Change? | Joseph Trapanese, London Contemporary Orchestra, Tonality | C Major | 1 | 8B | 116 BPM | ||
| Ride to Death | Carter Burwell | G Major | 0 | 9B | 83 BPM | ||
| The Reunion | Trevor Kowalski | A♭ Major | 1 | 4B | 138 BPM | ||
| Find Something Good in Iowa to Believe in | Anton Sanko | C Major | 1 | 8B | 140 BPM | ||
| The Proposal | Craig Richey | D♭ Major | 2 | 3B | 130 BPM | ||
| Natalia Views the Wreckage | Craig Richey | D Major | 0 | 10B | 130 BPM | ||
| The Starling Festival | Craig Richey | C Major | 1 | 8B | 101 BPM | ||
| Cassie | Anthony Willis | F Minor | 1 | 4A | 79 BPM | ||
| You Are My Friend (contains interpolations of "It's You I Like" and "Am I A Mistake?") | Nate Heller | D Major | 1 | 10B | 110 BPM | ||
| The Beach | Nick Cave & Warren Ellis | E♭ Major | 1 | 5B | 53 BPM | ||
| Good Mornings | Tom Howe | C Major | 4 | 8B | 151 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| The Last Letter from Your Lover | Daniel Hart | G Minor | 1 | 6A | 103 BPM | ||
| Happy And Free | Craig Richey | G Major | 1 | 9B | 98 BPM | ||
| Through the Mall | Craig Armstrong | F Major | 2 | 7B | 128 BPM | ||
| Supernova | Keaton Henson | E Major | 1 | 12B | 171 BPM | ||
| My Office | Tom Howe | C Major | 2 | 8B | 90 BPM | ||
| Paolo Chases Cecile | Craig Richey | G Minor | 2 | 6A | 128 BPM | ||
| The Beauty of Our Work | Sven Faulconer | C Minor | 2 | 5A | 115 BPM |