"When I Am Dead, My Dearest" by John Ireland, BBC Concert Orchestra, Roderick Williams had its release date on January 1, 2007. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. When I Am Dead, My Dearest's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Sea Fever: Songs By British Composers". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. When I Am Dead, My Dearest is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With When I Am Dead, My Dearest by John Ireland, BBC Concert Orchestra, Roderick Williams having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus [arr. For tenor, choir and chamber ensemble] | César Franck, Frieder Lang, Regula Schüpbach, Praxedis Hug-Rütti, Daniel Winiger, Zurich Boys Choir, Alphons von Aarburg | A Major | 1 | 11B | 66 BPM | ||
| Materna Requiem: 4. Lacrimosa | Rebecca Dale, Hannah Dienes-Williams, Thelma Handy, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A♭ Major | 0 | 4B | 100 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Old American Songs, Book 1: IV. Simple Gifts (Arr. I. Fine for Chorus) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | A♭ Major | 1 | 4B | 168 BPM | ||
| Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
| My song Is love unknown | John Ireland, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | E♭ Major | 1 | 5B | 174 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Monteverdi : Beatus vir | Claudio Monteverdi, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Major | 1 | 8B | 106 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | ||
| Tantum ergo | Déodat de Séverac, Oxford Schola Cantorum, Jeremy Summerly | A Minor | 0 | 8A | 76 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| More Sweet Than My Refrain | Howard Skempton, Ars Nova Copenhagen, Paul Hillier | A Major | 0 | 11B | 83 BPM | ||
| Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | G Minor | 0 | 6A | 79 BPM | ||
| Quanta Qualia | Patrick Hawes, Conventus Choir, English Chamber Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
| I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | F♯ Minor | 1 | 11A | 98 BPM | ||
| Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 128 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
| Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | C Major | 1 | 8B | 65 BPM | ||
| Into the Light: No. 4, Flower into Kindness | Jake Runestad, Conspirare, Kathlene Ritch, Craig Hella Johnson | D Major | 1 | 10B | 83 BPM |