On 1963, the song "Where Did The Gentleman Go" was released by Julie London. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Where Did The Gentleman Go's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julie London's "Love On The Rocks" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Where Did The Gentleman Go's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Where Did The Gentleman Go by Julie London to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| All Of You | Sammy Davis Jr. | D♭ Major | 4 | 3B | 143 BPM | ||
| I Fall In Love Too Easily | Johnny Hartman | G Minor | 2 | 6A | 59 BPM | ||
| I Could Write a Book | Harry Connick, Jr. | C Major | 2 | 8B | 127 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| It Had to Be You (Big Band and Vocals) | Harry Connick, Jr. | F Major | 3 | 7B | 126 BPM | ||
| Cocktails For Two | Coleman Hawkins | C Major | 1 | 8B | 78 BPM | ||
| Teach Me Tonight | Dinah Washington | F Minor | 2 | 4A | 73 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| It's A Beautiful Evening | Dorothy Dandridge | G Major | 2 | 9B | 77 BPM | ||
| Moonlight Serenade | Glenn Miller | E♭ Major | 2 | 5B | 78 BPM | ||
| What a Difference a Day Makes | Bobby Darin | D Minor | 0 | 7A | 176 BPM | ||
| Words Can't Describe | Sarah Vaughan | D♭ Major | 1 | 3B | 66 BPM | ||
| Has Your Love Grown Cold? - Vocal | Camille Howard | C Minor | 1 | 5A | 97 BPM | ||
| Isn't This A Lovely Day | Fred Astaire | C Major | 0 | 8B | 75 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| Bill | Morgana King | G Major | 1 | 9B | 83 BPM | ||
| The Masquerade Is Over | Nancy Wilson, Cannonball Adderley | B♭ Major | 0 | 6B | 174 BPM | ||
| Bewitched, Bothered and Bewildered (with The Mellomen) | Doris Day, John Rarig, The Mellomen | D Minor | 0 | 7A | 82 BPM | ||
| It Had To Be You | Julie London | F♯ Minor | 1 | 11A | 93 BPM | ||
| I'm in the Market for You | Archie Semple, Fred Hunt, Dickie Hawdon | C Minor | 0 | 5A | 86 BPM | ||
| I'm Glad There Is You | Vic Damone | C Minor | 1 | 5A | 85 BPM | ||
| I've Got It Bad And That Ain't Good | Johnny Hodges, Billy Strayhorn | B♭ Major | 1 | 6B | 86 BPM | ||
| Monday Again | Nat King Cole Trio | D Minor | 0 | 7A | 68 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM |