Bade Ghulam Ali Khan's ' "Shubh Din Aayo Raj Dulara" was released on its scheduled release date, August 5, 1960. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Shubh Din Aayo Raj Dulara's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Naushad, Shakeel Badayuni's "Mughal-E-Azam" album is number 15 out of 15. Shubh Din Aayo Raj Dulara is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Shubh Din Aayo Raj Dulara by Bade Ghulam Ali Khan to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaj Bazar Mein | Nayyara Noor | D♭ Major | 6 | 3B | 130 BPM | ||
| Thumri - Ab Tohe Jaane Nahi Doongi 2 | Amir Khan, Bade Ghulam Ali Khan | F♯ Major | 5 | 2B | 76 BPM | ||
| Ud Ja Re Kaga | Lata Mangeshkar | A♭ Major | 3 | 4B | 70 BPM | ||
| Mujh se pehli si mohabbat ere mehboob na maang | Noor Jahan | F♯ Minor | 3 | 11A | 174 BPM | ||
| Sainyan Bolo - Trap Mix | Raahi, Bade Ghulam Ali Khan | A Minor | 3 | 8A | 130 BPM | ||
| Woh Nahi Mera | Hazir | F Major | 5 | 7B | 92 BPM | ||
| Yaman | Shruti Sadolikar | A♭ Major | 4 | 4B | 163 BPM | ||
| Man Tarpat Hari Darshan Ko Aaj | Naushad, Shakeel Badayuni, Mohammed Rafi | A Major | 2 | 11B | 104 BPM | ||
| Kabhi Khwab Mein | Talat Aziz, Dilraj Kaur | F Minor | 4 | 4A | 126 BPM | ||
| Ae Ri Sakhi | Akanksha Grover | D♭ Major | 3 | 3B | 118 BPM | ||
| Doli Mein Beethaye Ke | S. D. Burman, R. D. Burman | E Major | 4 | 12B | 117 BPM | ||
| Prem Ki Maar Katar Sohani Thumri | Bade Ghulam Ali Khan | F♯ Minor | 1 | 11A | 85 BPM | ||
| Rangi Saari Gulabi Chunariya | Kaushiki Chakraborty, Ricky Kej | E♭ Major | 4 | 5B | 132 BPM | ||
| Peri Merfrosh | Ustad Rahim Bakhsh | D Major | 7 | 10B | 129 BPM | ||
| Marmabandhatli Thev Hi | Bharat Balvalli | F Major | 5 | 7B | 178 BPM | ||
| Uss Bewafa Ka Shehar He | Naseem Begum | F Major | 4 | 7B | 91 BPM | ||
| Dekh Lo Aaj Hamko | Jagjit Kaur | A♭ Major | 4 | 4B | 88 BPM | ||
| Chal Mere Saath Hi Chal | Ahmed Hussain, Mohammed Hussain | G Minor | 4 | 6A | 79 BPM | ||
| Tere Aane Ka Dhoka Sa | Farida Khanum | E♭ Minor | 2 | 2A | 108 BPM | ||
| Wohi Do Kadam Ka Tha Faasla | Anjali Joshi | F♯ Minor | 5 | 11A | 146 BPM | ||
| Ja Ja Re | Lata Mangeshkar, Hridaynath Mangeshkar, Gulzar | D♭ Major | 5 | 3B | 151 BPM | ||
| Sawariya | Shubha Joshi | D♭ Major | 5 | 3B | 115 BPM | ||
| Aaye Na Balam - New Age Bass Mix | Raahi, Bade Ghulam Ali Khan | G Major | 4 | 9B | 160 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM | ||
| Aaj Kaun Gali Gayo Shyam | Parveen Sultana | E♭ Major | 4 | 5B | 115 BPM |