Benjamin Soames, David Timson, Jonathan Keeble, Northern Chamber Orchestra, Igor Stravinsky's ' "Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: X. Narrator: He Took The Book And Began To Read" was released on its scheduled release date, January 19, 1999. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: X. Narrator: He Took The Book And Began To Read's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Stravinsky: The Soldier' S Tale/ Dumbarton Oaks". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: X. Narrator: He Took The Book And Began To Read's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: X. Narrator: He Took The Book And Began To Read by Benjamin Soames, David Timson, Jonathan Keeble, Northern Chamber Orchestra, Igor Stravinsky having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Un caballo en el castillo de cristal | Gabriel Andrés Gallegos | E Minor | 1 | 9A | 81 BPM | ||
| Sinfonietta, FP 141: II. Molto vivace | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| The Sonnets*: Sonnet 20: A woman's face with nature's own hand painted | Bertie Carvel, Gunnar Cauthery, Stella Gonet, Alex Jennings, Jonathan Keeble, Anton Lesser, Roy McMillan, Tom Mison, Maxine Peake, Anne-Marie Piazza, Hugh Ross, Benjamin Soames, Juliet Stevenson, David Tennant, David Timson, Trevor White | A♭ Major | 3 | 4B | 137 BPM | ||
| Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: IV. He Is A Little Old Man... | Benjamin Soames, Northern Chamber Orchestra, Jonathan Keeble, David Timson, Igor Stravinsky | G Minor | 3 | 6A | 120 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Histoire Du Soldat (The Soldier's Tale) (Performed In English): Part I: VI. Soldier: Hurray, Here We Are! | Benjamin Soames, David Timson, Jonathan Keeble, Northern Chamber Orchestra, Igor Stravinsky | F Major | 1 | 7B | 112 BPM | ||
| Teil 13 - Folge 1: Der Frosch mit der Maske | Edgar Wallace - Filmedition, Edgar Wallace, Joachim Bartsch, Siegfried Lowitz, Joachim Fuchsberger, Ernst Fritz Fürbringer, Jochen Brockmann, Carl Lange, Fritz von Hardenberg | A Major | 7 | 11B | 88 BPM | ||
| Me and 4 Ponys: I. Mechanical | Laurence Osborn, 12 Ensemble, Siwan Rhys | E♭ Major | 0 | 5B | 144 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | ||
| A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
| Celestial Voyage | Jarko Vento | A♭ Minor | 4 | 1A | 166 BPM | ||
| Teil 23 - Folge 4: Der Zinker | Edgar Wallace - Filmedition, Edgar Wallace, Harald G. Petersson, Heinz Drache, Barbara Rütting, Günther Pfitzmann | D♭ Major | 6 | 3B | 119 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: II. Elegie | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | E♭ Major | 0 | 5B | 144 BPM | ||
| Hommage á Richard Strauss for Clarinet Solo | Béla Kovács | F Minor | 0 | 4A | 109 BPM | ||
| Teil 6 - Folge 9: Ein Mörder bei Madame Tussaud | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Rolf Marnitz, Moritz Milar, Andreas Thiek, Eric Vaessen, Liane Rudolph-Amacha, Gabriele Markwald-Litty | D♭ Major | 3 | 3B | 97 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: III. Allegretto | Dmitri Shostakovich, Cuarteto Casals | E♭ Major | 0 | 5B | 144 BPM | ||
| Teil 7 - Folge 48: Ein Dinosaurier für Professor van Dusen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Max Volkert Martens, Helmut Krauss, Gerd Duwner, Herbert Weißbach, Heinz Raabe, Eric Vaessen, Helmut Ahner, Krikor Melikyan, Erwin Schastok, Sibylle Kuhne, Bernd Kummer | D Major | 3 | 10B | 52 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Tríptico P(olícromo) | Renato Pedro Di Prinzio, Renato Di Prinzio | A♭ Major | 2 | 4B | 70 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM |