Laxmikant–Pyarelal's ' "Music" was released on its scheduled release date, November 28, 1980. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Music's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "Ram Balram". In this album, this song's track order is #1. Based on our statistics, Music's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Music by Laxmikant–Pyarelal having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Dhundta Hain | Bhupinder Singh | D Major | 3 | 10B | 85 BPM | ||
| Lagi Aaj Sawan Ki | Suresh Wadkar, Anupama, Anand Bakshi | G Minor | 7 | 6A | 94 BPM | ||
| Woh Paas Rahe Ya Door | Suraiya | D♭ Major | 3 | 3B | 122 BPM | ||
| Aaj Bichhde Hain | Bhupinder Singh | A Major | 2 | 11B | 95 BPM | ||
| Saanj Dhale Gagan Tale Hum Kitane Ekaki | Laxmikant–Pyarelal, Suresh Wadkar | B Major | 6 | 1B | 128 BPM | ||
| Zindagi Ka Naam Dosti | Nitin Mukesh, Mohammed Aziz | F♯ Minor | 7 | 11A | 92 BPM | ||
| Dil Dene Ki Ruth | Vinod Rathod, Alka Yagnik, Laxmikant–Pyarelal | A Major | 9 | 11B | 93 BPM | ||
| Bajoo Bandh | Alka Yagnik, Suresh Wadkar, Laxmikant–Pyarelal | D♭ Minor | 8 | 12A | 89 BPM | ||
| Duniya Mein Kitna Gham Hai - Duet | Anuradha Paudwal, Mohammed Aziz, Laxmikant–Pyarelal | G Major | 2 | 9B | 82 BPM | ||
| Main Hoon Prem Rogi | Suresh Wadkar, Laxmikant–Pyarelal | E Minor | 8 | 9A | 157 BPM | ||
| Ek Akela Is Shaher Mein | Bhupinder Singh | D Major | 7 | 10B | 89 BPM | ||
| Mohabbat Inayat Karam Dekhte Hain | Anuradha Paudwal, Pankaj Udhas | F♯ Major | 7 | 2B | 93 BPM | ||
| Gori Tera Gaon Bada Pyara | K. J. Yesudas | D Major | 7 | 10B | 143 BPM | ||
| Tumne Pukara Aur Hum Chale Aaye | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 94 BPM | ||
| Phoolon Tumhein Pata Hai | Bappi Lahiri | A Major | 5 | 11B | 94 BPM | ||
| Tu Na Jaa Mere Baadshah | Alka Yagnik, Mohammed Aziz | B Minor | 5 | 10A | 153 BPM | ||
| Commentry Tabassum And O Sathi Chal - Seeta Aur Geeta | Tabassum, Asha Bhosle, R. D. Burman | D Major | 6 | 10B | 89 BPM | ||
| Meri Yaad Aayee | Altaf Raja | A♭ Minor | 5 | 1A | 141 BPM | ||
| Mere Naseeb Mein Ae Dost | Kishore Kumar, Laxmikant–Pyarelal | F Major | 2 | 7B | 81 BPM | ||
| Oye Raju | Anand Raj Anand | D Minor | 8 | 7A | 85 BPM | ||
| Mere Saathi Jeevan Sathi | Laxmikant–Pyarelal, Lata Mangeshkar, Shabbir Kumar | A♭ Minor | 7 | 1A | 153 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Le Chal Mere Jeevan Saathi | Hemlata, Mukesh, Kalyanji-Anandji | D Minor | 3 | 7A | 130 BPM | ||
| Sohni Chenab De Kinare (Part I) - Sohni Mahiwal / Soundtrack Version | Anupama | C Minor | 7 | 5A | 146 BPM | ||
| Titli Udi Ud Jo Chali | Sharada, Shailendra | F♯ Minor | 8 | 11A | 127 BPM |