- BPM
- 87
- Key
- D♭ Major
- Camelot
- 3B
A Fish by Sharon Rostorf, David Sebba Song Details
Sharon Rostorf, David Sebba's 'A Fish' had a release date set for June 1, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 34 in the song's album "The Jewish Music of Gershon Ephros: Selected Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. A Fish is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With A Fish by Sharon Rostorf, David Sebba having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.551 dB
- Acousticness
- 96%
- Danceability
- 17%
- Energy
- 16%
- Instrumentalness
- 60%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 26%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | |
 | Vaga luna che inargenti | Vincenzo Bellini, Ruth Ann Swenson | A♭ Major | 0 | 4B | 169 BPM | |
 | Beau Soir, L. 6 (Arr. For Piano & Violin) | Claude Debussy, Sophie Karthäuser, Eugene Asti | F♯ Minor | 0 | 11A | 75 BPM | |
 | Borodin: The Sleeping Princess | Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich | A Major | 0 | 11B | 66 BPM | |
 | 2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht | Johannes Brahms, Sara Mingardo, Aldo Orvieto, Danusha Waskiewicz | D Major | 1 | 10B | 81 BPM | |
 | Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | |
 | Song Of Beren And Lúthien | Various Artists, The Tolkien Ensemble | E Minor | 1 | 9A | 82 BPM | |
 | Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | |
 | Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | |
 | Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | |
 | The Lass From the Low Countree | John Jacob Niles, Hope Koehler, James Douglass | B Minor | 1 | 10A | 83 BPM | |
 | Frauenliebe und Leben, Op. 42: No. 3, Ich kann's nicht fassen, nicht glauben | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | C Minor | 0 | 5A | 131 BPM | |
 | Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | |
 | Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | |
 | A Hare | Sharon Rostorf, David Sebba | D♭ Major | 2 | 3B | 87 BPM | |
 | Pavane, Op. 50 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | F♯ Minor | 0 | 11A | 97 BPM | |
 | Amore e morte | Gaetano Donizetti, Cecilia Bartoli, James Levine | F Minor | 0 | 4A | 81 BPM | |
 | Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 134 BPM | |
 | Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | |
 | この道 | Kosaku Yamada, Yumiko Samejima | E Major | 1 | 12B | 135 BPM | |
 | Six Lieder, Op. 13: 4. Der Mond kommt still gegangen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 127 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | A Major | 0 | 11B | 99 BPM | |
 | O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | |
 | Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Margaret Price, James Lockhart | A♭ Major | 1 | 4B | 192 BPM | |
 | Dona nobis pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 83 BPM |
- ISRC
- US4R30755694
- Label
- L-M Records/RCA Records