"Candyman - Meeting Candyman" by Philip Glass, Michael Riesman, Chase Spruill had its release date on July 19, 2019. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Candyman - Meeting Candyman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Philip Glass Soundtracks Vol. II". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Candyman - Meeting Candyman is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Candyman - Meeting Candyman by Philip Glass, Michael Riesman, Chase Spruill having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM | ||
| O Virtus Sapiente | Hildegard von Bingen, Kronos Quartet | E Major | 0 | 12B | 57 BPM | ||
| Goldberg Variations, BWV 988: Aria da capo - 1981 Version | Johann Sebastian Bach, Glenn Gould | G Major | 0 | 9B | 128 BPM | ||
| Memoria | Laura Masotto | G Minor | 1 | 6A | 112 BPM | ||
| The Last Farm 1 | Kjartan Sveinsson | C Minor | 3 | 5A | 160 BPM | ||
| Shaker Loops: III. Loops and Verses | John Adams | G Minor | 2 | 6A | 85 BPM | ||
| Tourbillon | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
| Floating / Sinking | Peter Broderick | A Minor | 1 | 8A | 89 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Dreamy | Hania Rani | F Minor | 1 | 4A | 60 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Etude | Joep Beving | A Minor | 0 | 8A | 126 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM | ||
| David Melrose Theme | Hauschka | D Minor | 0 | 7A | 148 BPM | ||
| Das Rheingold: Vorspiel | Richard Wagner, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | D Major | 0 | 10B | 179 BPM | ||
| Spiderwebs of Clouds | Olivia Belli | G Minor | 1 | 6A | 76 BPM | ||
| In the Upper Room: Dance VIII | Philip Glass, Philip Glass Ensemble, Michael Riesman | F Minor | 2 | 4A | 168 BPM | ||
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| Emerald and Stone | Brian Eno, Jon Hopkins, Leo Abrahams | B Major | 0 | 1B | 179 BPM | ||
| Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| At Dawn | Hania Rani | D Minor | 0 | 7A | 102 BPM |