"Mother And Son" by Alexandre Desplat had its release date on December 20, 2011. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 18 in Extremely Loud and Incredibly Close (Original Motion Picture Soundtrack) by Alexandre Desplat, Jean-Yves Thibaudet. Mother And Son is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mother And Son by Alexandre Desplat is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| King George VI | Alexandre Desplat | A Major | 1 | 11B | 79 BPM | ||
| I Ran And Ran (From "Forrest Gump" Score) | Alan Silvestri | A♭ Major | 0 | 4B | 75 BPM | ||
| Broken | Ólafur Arnalds | E Minor | 0 | 9A | 75 BPM | ||
| Kiss Him Goodbye | James Newton Howard | D Minor | 7 | 7A | 150 BPM | ||
| Denouement | Dario Marianelli, Benjamin Wallfisch, English Chamber Orchestra, Jean-Yves Thibaudet | D♭ Major | 1 | 3B | 82 BPM | ||
| At First Sight | Alexandre Desplat | A♭ Major | 2 | 4B | 74 BPM | ||
| How I Live Now | Jon Hopkins | C Major | 2 | 8B | 140 BPM | ||
| I Thought She Was You | Chris Tilton | A♭ Minor | 0 | 1A | 70 BPM | ||
| Fate of the Ninth | Ilan Eshkeri | F Major | 3 | 7B | 148 BPM | ||
| What Maisie Knew | Nick Urata | F♯ Major | 1 | 2B | 119 BPM | ||
| We (Too) Shall Rest | Ólafur Arnalds | E Minor | 0 | 9A | 173 BPM | ||
| Brideshead Revisited: No. 13, Carnival | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A♭ Major | 1 | 4B | 85 BPM | ||
| This is True | Patrick Doyle | C Minor | 1 | 5A | 86 BPM | ||
| The Renter Leaves | Alexandre Desplat | A Minor | 1 | 8A | 120 BPM | ||
| The Cure | John Paesano | B♭ Major | 0 | 6B | 73 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| Desplat: Vermeer's Studio | Pro Arte Orchestra Of London, Michael Davis, Alexandre Desplat | C Major | 1 | 8B | 108 BPM | ||
| What Did They Ask You? | Ólafur Arnalds | B Major | 1 | 1B | 85 BPM | ||
| Beyond The Stage | Dario Marianelli | A♭ Major | 1 | 4B | 168 BPM | ||
| The Pale Blue Bot | Alan Silvestri | D Major | 1 | 10B | 176 BPM | ||
| Reverend Underwood's Eulogy | Jeff Beal | G Major | 1 | 9B | 126 BPM | ||
| The Miracle of the Bread | B.S.O. Varios | F♯ Minor | 1 | 11A | 76 BPM | ||
| An Odd Discovery Beyond The Trees | James Horner | G Major | 0 | 9B | 175 BPM | ||
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| A Royal Affair | Ruth Barrett | B♭ Minor | 2 | 3A | 117 BPM |