The Ink Spots's 'That's Where I Came In' had a release date set for June 16, 1998. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. That's Where I Came In's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "The Anthology". In this album, this song's track order is #18. That's Where I Came In is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With That's Where I Came In by The Ink Spots having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can't Do Sixty No More | The Dominoes, Billy Ward | A♭ Major | 5 | 4B | 130 BPM | ||
| It's Funny To Everyone But Me | The Ink Spots | B♭ Major | 1 | 6B | 77 BPM | ||
| It Looks Like Rain in Cherry Blossom Lane | Carroll Gibbons, The Savoy Hotel Orpheans | G Minor | 2 | 6A | 137 BPM | ||
| Ol' Man Mose | Eddy Duchin | F Minor | 4 | 4A | 114 BPM | ||
| Dear Hearts and Gentle People | Bob Crosby & The Bob Cats | C Major | 1 | 8B | 140 BPM | ||
| The Sweetest Dream | The Ink Spots | A♭ Major | 2 | 4B | 78 BPM | ||
| It's a Lonesome Old Town | Helen O'Connell | C Minor | 1 | 5A | 69 BPM | ||
| You're Driving Me Crazy | Guy Lombardo & His Royal Canadians | C Major | 1 | 8B | 140 BPM | ||
| That Old Black Magic | Cab Calloway | F♯ Major | 3 | 2B | 155 BPM | ||
| Somebody Stole My Gal | Johnnie Ray | F Minor | 3 | 4A | 108 BPM | ||
| I Woke Up With A Teardrop In My Eye | Spirits of Rhythm | F Minor | 0 | 4A | 103 BPM | ||
| Happy Times | Bob Crosby & The Bob Cats | C Major | 1 | 8B | 140 BPM | ||
| I Can't Get Started - Alternate Take | Bunny Berigan | C Major | 1 | 8B | 140 BPM | ||
| Good Rockin' Tonight - Alternate Take | Roy Brown | C Major | 1 | 8B | 140 BPM | ||
| Take My Heart | Carroll Gibbons, The Savoy Hotel Orpheans | G Minor | 5 | 6A | 98 BPM | ||
| Outside of Heaven | Eddie Fisher | C Major | 1 | 8B | 140 BPM | ||
| Kisses And Tears | Jane Russell | E Major | 2 | 12B | 127 BPM | ||
| You Can’t See The Sun When You’re Cryin’—from the film “Shall We Dance” | Anita Ellis | B♭ Major | 3 | 6B | 81 BPM | ||
| You Oughta Be in Pictures | Rudy Vallee | C Major | 4 | 8B | 176 BPM | ||
| You Go To My Head | Gene Krupa & His Orchestra, Buddy Stewart | B Major | 1 | 1B | 71 BPM | ||
| Same Old Moon | Rudy Vallee and His Connecticut Yankees | C Major | 1 | 8B | 140 BPM | ||
| A Way of Life | Jimmy Durante | C Major | 3 | 8B | 81 BPM | ||
| Pig Foot Pete | Ella Mae Morse, Freddie Slack | C Major | 1 | 8B | 140 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| I'll Always Hold Your Hand | Connie Conway | E♭ Major | 1 | 5B | 76 BPM |