"The Lazarus Project" by Jack Wall had its release date on January 19, 2010. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jack Wall, EA Games Soundtrack's "Mass Effect 2 (Original Soundtrack)" album is number 4 out of 27. On top of that, Canada appears to be the country where this track was created. In terms of popularity, The Lazarus Project is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lazarus Project by Jack Wall to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stendarr’s Mercy | Brad Derrick | E Minor | 2 | 9A | 111 BPM | ||
| Orphan | Sam Dillard | F Major | 2 | 7B | 140 BPM | ||
| Dyson Drops In (Scars Suite) | Joseph Trapanese | D Major | 3 | 10B | 97 BPM | ||
| Jack | Jack Wall | F Minor | 5 | 4A | 138 BPM | ||
| Badlands | Greg Edmonson | D Major | 5 | 10B | 75 BPM | ||
| OKB Zero | Ludvig Forssell | F Minor | 10 | 4A | 108 BPM | ||
| V Has Come To | Ludvig Forssell | G Minor | 3 | 6A | 118 BPM | ||
| Death From Above | Sascha Dikiciyan, Cris Velasco | G Major | 8 | 9B | 125 BPM | ||
| Spotting Movement | Harry Gregson-Williams | D♭ Major | 0 | 3B | 130 BPM | ||
| Vasir Combat | Christopher Lennertz | D♭ Major | 10 | 3B | 160 BPM | ||
| Infusion | David Kates, Jack Wall, Sam Hulick, EA Games Soundtrack | F Major | 5 | 7B | 102 BPM | ||
| Heavy Rain | Normand Corbeil, La Pietà, Angèle Dubeau | E♭ Major | 1 | 5B | 78 BPM | ||
| Snowy Mountains | Mikael Karlsson | E Major | 2 | 12B | 140 BPM | ||
| After the Crash | Michael McCann | A Major | 7 | 11B | 120 BPM | ||
| One Last Time | Henry Jackman | C Minor | 1 | 5A | 86 BPM | ||
| North from Riften | Brad Derrick | E Major | 3 | 12B | 73 BPM | ||
| Lux's Sacrifice | Joseph Trapanese | B Major | 3 | 1B | 116 BPM | ||
| Breaching the Veil | Ed Harrison | B♭ Minor | 6 | 3A | 133 BPM | ||
| Super Metroid: a Symphonic Poem | Crouch End Festival Chorus, London Philharmonic Orchestra | E♭ Major | 2 | 5B | 123 BPM | ||
| A Land of War and Poetry (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | A Minor | 5 | 8A | 100 BPM | ||
| Citadel Underbelly | Cris Velasco, Sascha Dikiciyan | D Major | 7 | 10B | 125 BPM | ||
| I Will Watch Over the Ones Who Live On | Sam Hulick | G Minor | 2 | 6A | 110 BPM | ||
| Deviant | Sean Murray | F Minor | 3 | 4A | 140 BPM | ||
| Omega Suite | Sascha Dikiciyan, Cris Velasco | A♭ Major | 3 | 4B | 120 BPM | ||
| Nemesis | Neil Davidge | A♭ Major | 5 | 4B | 130 BPM |