Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks's ' "Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 7, —" was released on its scheduled release date, January 1, 2016. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 2 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 7, —'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 7, — by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | D♭ Major | 1 | 3B | 136 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | E Major | 0 | 12B | 84 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Dartington Piano Trio | B♭ Major | 0 | 6B | 145 BPM | ||
| Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Augustin Dumay, Maria João Pires | A Major | 5 | 11B | 83 BPM | ||
| Nin: 20 Cantos Populares Españoles: No. 6, Granadina, Chant D'Espagne Pour Violoncelle Et Piano (Arr. Kochanski for Cello and Piano) | Joaquin Nin, Paul Tortelier, John Newmark | D Major | 1 | 10B | 84 BPM | ||
| Concerto for Cello and Orchestra in A Minor, Op. 129: Nicht zu schnell | Robert Schumann, Steven Isserlis, Deutsche Kammerphilharmonie, Christoph Eschenbach | A Minor | 1 | 8A | 124 BPM | ||
| Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck | Robert Schumann, Janine Jansen, Antonio Pappano | A Minor | 1 | 8A | 55 BPM | ||
| Suk: Elegie in D-Flat Major, Op. 23 (Adagio - Poco più mosso): | Josef Suk, Ahn Trio | A♭ Major | 0 | 4B | 83 BPM | ||
| Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 3, Primavera Porteño [Spring] | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | G Minor | 1 | 6A | 138 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
| Piano Trio in G Minor, Op. 17: III. Andante | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | G Major | 0 | 9B | 88 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| 6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM | ||
| Chopin: Cello Sonata in G Minor, Op. 65: II. Scherzo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | D Major | 0 | 10B | 88 BPM | ||
| Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott, Robert Kulek | F Minor | 1 | 4A | 78 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
| Souvenir d'un lieu cher, Op. 42, TH 116: No. 1, Meditation | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg | B♭ Major | 1 | 6B | 134 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIIa. Allegro moderato – Molto meno mosso | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
| Sonata No. 1 for Violin and Piano in A Minor, Op. 105: III. Lebhaft | Robert Schumann, Gidon Kremer, Martha Argerich | A Minor | 3 | 8A | 122 BPM | ||
| Passione amorose: III. Allegretto (Orchestrated by G. Jardanyi) | Giovanni Bottesini, Gergely Jardanyi, Odon Racz, Budapest Chamber Symphony, János Ács | A Major | 0 | 11B | 179 BPM | ||
| Piano Quintet "Fantasia": II | Carl Vine, Goldner String Quartet, Piers Lane | E Major | 0 | 12B | 84 BPM |