Lutz Häfner, Rainer Böhm's ' "Juvenile" was released on its scheduled release date, March 25, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "No Lonely Nights". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Juvenile's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Juvenile by Lutz Häfner, Rainer Böhm having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three & Four | Lutz Häfner | G Major | 1 | 9B | 105 BPM | ||
| Departure | Charlie Porter | E Major | 5 | 12B | 109 BPM | ||
| Tip Toein' | Dan Crisci | D♭ Major | 3 | 3B | 131 BPM | ||
| Baïna | Vladimir Torres, Tom Moretti, Martin Schiffmann | A Major | 5 | 11B | 160 BPM | ||
| Rae Ray | Corcoran Holt, Lewis Nash | B♭ Major | 4 | 6B | 201 BPM | ||
| Manorism | Ben Paterson Trio | C Minor | 2 | 5A | 104 BPM | ||
| Night Scenes | Matthew McDonald | A Minor | 6 | 8A | 109 BPM | ||
| Transcendental | The Sunset Hill Jazz Band, Paul Rossy | G Minor | 5 | 6A | 111 BPM | ||
| I've Found a New Baby | Franco D'Andrea, Gabriele Evangelista, Roberto Gatto | D♭ Major | 2 | 3B | 125 BPM | ||
| Late Set Ending | Sky Bar Session | C Major | 5 | 8B | 117 BPM | ||
| Bay Platform | Mono Noir Jazz | C Major | 7 | 8B | 103 BPM | ||
| Thoughts | Freysteinn | G Major | 2 | 9B | 106 BPM | ||
| CIRCLES | Luca Mannutza, Paolo Recchia, Jordan Corda, Daniele Sorrentino, Sasha Mashin | G Major | 2 | 9B | 57 BPM | ||
| You Are Too Beautiful | Adrien Sanchez Trio | C Major | 1 | 8B | 118 BPM | ||
| Antigua Villa | Cubalibre Jazz | D Minor | 3 | 7A | 174 BPM | ||
| Minor Shift | Harry Allen | B♭ Major | 4 | 6B | 201 BPM | ||
| Frame for the Blues | Michael Dease, Nanami Haruta, Jack Trathen, Xavier Davis | B♭ Major | 4 | 6B | 201 BPM | ||
| Rise of the Sovereign | Orión Natera | E Major | 3 | 12B | 130 BPM | ||
| Corner Store | Ella Blue | B♭ Major | 4 | 6B | 201 BPM | ||
| HERZOG | Luca Mannutza, Paolo Recchia, Jordan Corda, Daniele Sorrentino, Sasha Mashin | G Major | 2 | 9B | 57 BPM | ||
| I'm So Lonesome I Could Cry | Jakob Dinesen | B♭ Major | 4 | 6B | 201 BPM | ||
| The Forgotten Statue | Orión Natera | D Minor | 3 | 7A | 74 BPM | ||
| 22 Grad | TwoTwo, Markus Harm, Lutz Häfner, Jens Loh, Philipp Leibundgut | D♭ Major | 4 | 3B | 106 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Talven törröttäjät | Oskari Ojala, Leevi Koskinen | G Minor | 3 | 6A | 96 BPM |