- BPM
- 104
- Key
- F♯ Minor
- Camelot
- 11A
The Fall Guy by Harry Rabinowitz Song Details
On November 3, 2003, the song "The Fall Guy" was released by Harry Rabinowitz. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Fall Guy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 40 in Cheesy Listening, Vol. 2 by Various Artists. In terms of popularity, The Fall Guy is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of The Fall Guy by Harry Rabinowitz is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.79 dB
- Acousticness
- 11%
- Danceability
- 68%
- Energy
- 42%
- Instrumentalness
- 37%
- Liveness
- 16%
- Loudness
- 74%
- Speechiness
- 3%
- Valence
- 96%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | |
 | Dusk (from Fancy Dress Suite) | Cecil Armstrong Gibbs, Iain Sutherland Concert Orchestra, Iain Sutherland | G Major | 1 | 9B | 98 BPM | |
 | Overture / Preludium (Dixit Dominus) / Morning Hymn / Alleluia - Medley | Annalee, Portia Nelson, Marni Nixon, Evadne Baker | A♭ Major | 2 | 4B | 68 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | |
 | Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 80 BPM | |
 | Girl Talk (Remastered) | Harry Rabinowitz, Harold Ernest Fisher, David Henry Richmond, Martin John Kershaw | D Major | 5 | 10B | 90 BPM | |
 | How to Handle a Woman - King Arthur | Richard Harris, Lee Herschberg | D Major | 1 | 10B | 80 BPM | |
 | Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | |
 | Brooklets & Heights | Danke Timi Briggs | B♭ Minor | 1 | 3A | 121 BPM | |
 | Brideshead Revisited Variations: Theme | Geoffrey Burgon, Adelaide Symphony Orchestra, José Serebrier | C Major | 3 | 8B | 114 BPM | |
 | La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | |
 | Les enfants du soleil - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | C Minor | 3 | 5A | 61 BPM | |
 | Sebastian's Summer | Geoffrey Burgon | G Major | 3 | 9B | 111 BPM | |
| Bullworker (Remastered) | Harry Rabinowitz, Harold Ernest Fisher, David Henry Richmond, Martin John Kershaw | C Major | 4 | 8B | 90 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | |
 | Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Version for Two Trumpets & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | |
 | Madama Butterfly, Act II: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 73 BPM | |
 | Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | |
| Les enfants tristes - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
 | By The Sleepy Lagoon | Eric Coates, BBC Concert Orchestra, Vernon Handley | C Major | 0 | 8B | 80 BPM | |
 | The Secret Agent: Simple | Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz | C Minor | 1 | 5A | 97 BPM | |
 | Summer Stroll | Harry Rabinowitz | C Minor | 2 | 5A | 90 BPM | |
 | Si Un Jour | Natasha Marsh | F Minor | 1 | 4A | 63 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records