"Phone Call" by Toby Knowles had its release date on June 28, 2019. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of We the Kings (Original Motion Picture Soundtrack) by Toby Knowles. The song's track number on the album is #16 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Phone Call's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Phone Call by Toby Knowles has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Phone Call being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| WOMEN | Atobare | F Minor | 2 | 4A | 141 BPM | ||
| Time Capsule | Allen Grey | A Minor | 3 | 8A | 130 BPM | ||
| The Siren Calls | Michael Abels | E Minor | 2 | 9A | 134 BPM | ||
| Salvage | Debbie Wiseman, The Locrian Ensemble Of London | C Minor | 1 | 5A | 103 BPM | ||
| Rupert Alone | Natalie Holt, Jack Halama | C Minor | 2 | 5A | 54 BPM | ||
| The Mona Lisa | Caroline Shaw, Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | G Major | 1 | 9B | 120 BPM | ||
| Ascensos Meteoriticos | Las Eternas | F♯ Major | 2 | 2B | 140 BPM | ||
| Boys - Violin Version | Guillaume Ferran | F♯ Minor | 3 | 11A | 188 BPM | ||
| Simon Williams Arrives | Joel P West | A Minor | 0 | 8A | 76 BPM | ||
| Androids In Love | Toby Knowles, Pretty Decent Music | A♭ Major | 8 | 4B | 90 BPM | ||
| At Evenfall | Howard Harper-Barnes | A♭ Major | 3 | 4B | 120 BPM | ||
| The Blizzard | Auni | D Major | 2 | 10B | 134 BPM | ||
| The Cards Game is Starting | Mark Isham | E Major | 6 | 12B | 125 BPM | ||
| The Writer's Journey | Dexter Britain | G Major | 1 | 9B | 141 BPM | ||
| Visible | Saleh Sarabov, Saleh Sarab | A♭ Major | 2 | 4B | 130 BPM | ||
| Part of the Ocean | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg | A Major | 3 | 11B | 82 BPM | ||
| Defiance | Debbie Wiseman, The Locrian Ensemble Of London | E Minor | 1 | 9A | 61 BPM | ||
| Amanda's Montage Pt. 2 | Jeff Russo | G Major | 2 | 9B | 140 BPM | ||
| Ricordi di una vita passata | Andrea Farri | A Minor | 0 | 8A | 76 BPM | ||
| Inganno Suite | Andrea Guerra | D Minor | 3 | 7A | 111 BPM | ||
| Indescriptible | Almas Paralelas | D Minor | 4 | 7A | 148 BPM | ||
| Circle Of Light | Grace Davidson, Patrick Thomas Hawes | C Minor | 7 | 5A | 140 BPM | ||
| The Smell of Roses | Claude Signet | C Major | 6 | 8B | 131 BPM | ||
| Elitka | Ednan Poladov, Edwin Pantap | E Major | 1 | 12B | 80 BPM | ||
| Clocking Off | Nathan Klein, F. Keane | A♭ Major | 2 | 4B | 95 BPM |