Vallea's ' "The Last Table" was released on its scheduled release date, October 31, 2025. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Old Letters". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Australia. The Last Table is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Last Table by Vallea having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calm Midnight | Reed Jackson Band | C Major | 1 | 8B | 118 BPM | ||
| Fade Away | The Velvoir | C Major | 1 | 8B | 86 BPM | ||
| Preludium, Pt. I | Fort Bella | F Major | 1 | 7B | 92 BPM | ||
| Sax & Copper | Horn Society | D Minor | 3 | 7A | 81 BPM | ||
| Facing Masks, Pt. XVIII | Muzouet, Werset | D Minor | 1 | 7A | 103 BPM | ||
| Chained by Freedom | León Areíto | B Minor | 5 | 10A | 128 BPM | ||
| French Quarter, Pt. VIII | Kurtuo | D♭ Major | 2 | 3B | 118 BPM | ||
| Carbon Heels | Blue Matchbox | G Minor | 1 | 6A | 61 BPM | ||
| Almost Vinyl | Sky Bar Session | E Major | 5 | 12B | 140 BPM | ||
| Easy On The Ear | Twobones, Isla Eckinger | F Minor | 5 | 4A | 133 BPM | ||
| White in a Cup | Vallea | C Major | 1 | 8B | 90 BPM | ||
| Twilight Melodies | Dolce Vita | F Major | 3 | 7B | 128 BPM | ||
| Linger at the Crosswalk | The Midnight Groove | A Minor | 3 | 8A | 150 BPM | ||
| Smooth Glide | Brendon Long | B♭ Major | 0 | 6B | 127 BPM | ||
| Rome Lights | Billy Leadman | G Major | 0 | 9B | 165 BPM | ||
| Her Silence | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| A Burnt Letter | Vallea | D♭ Minor | 2 | 12A | 97 BPM | ||
| Desert Hallway | Timeless Sepia Melodies | D Major | 3 | 10B | 80 BPM | ||
| The Wind Hums in B Flat | Vivandis | B♭ Major | 2 | 6B | 80 BPM | ||
| Magnolia Florence | BitSwing | E♭ Major | 0 | 5B | 134 BPM | ||
| Jamivore, Pt. XVI | Jazz Control | F♯ Major | 1 | 2B | 80 BPM | ||
| Ventoria | Blue Rectangles | A Minor | 1 | 8A | 89 BPM | ||
| Lava Streets | Dream Exposure | C Minor | 1 | 5A | 94 BPM | ||
| Driftwood Ischia | Jazzhaus | B♭ Minor | 2 | 3A | 117 BPM | ||
| Lumesso | Blue Rectangles | E♭ Major | 0 | 5B | 134 BPM |