"Suite In G Minor (Suite En Sol Mineur): Prélude" by Marin Marais had its release date on 1993. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 22 in Conversations En Musique: Chamber Music In 18th Century France (Conversations En Musique: Musique De Chambre En France Au XVIIIe Siècle) by Arion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Suite In G Minor (Suite En Sol Mineur): Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite In G Minor (Suite En Sol Mineur): Prélude by Marin Marais is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Le carnaval du Parnasse: Air lent et gracieux | Jean-Joseph Cassanéa De Mondonville, Le Concert Spirituel, Herve Niquet | D♭ Major | 0 | 3B | 117 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
| Pièces de viole du Troisième Livre, suite IV en ré majeur: La Brillante [57] (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | D♭ Major | 3 | 3B | 69 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Concerto in D Minor, Op. IX No. 2: I. Allegro e non presto | Tomaso Albinoni, Combattimento Consort Amsterdam, Han De Vries | D Minor | 2 | 7A | 83 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| VI. Passepied I & II | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 0 | 8A | 120 BPM | ||
| Concerto in G Major, S. 215: I. Andante e staccato | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 0 | 2A | 72 BPM | ||
| Introduttione, VI in C Major, Op. 4 No. 6: I. Vivace | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Introduttione IV in G Major, Op. 4 No. 4: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Oboe Concerto in G Minor: Largo | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 1 | 7A | 82 BPM | ||
| Concerto for 2 Oboes & 2 Violins in C Major, RV 557 | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Major | 2 | 1B | 173 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| Quatuor in D Minor, TWV 43:d1: I. Andante | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Major | 2 | 5B | 114 BPM | ||
| Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | ||
| Concerto In C Minor for Alto Recorder & Strings, P 440: Largo | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Minor | 0 | 9A | 130 BPM | ||
| López : Variaciones del Fandango español | Félix Máximo López, Andreas Staier | E♭ Major | 2 | 5B | 124 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| I. Allegro | Jan Dismas Zelenka, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 1 | 5B | 129 BPM | ||
| Flute Concerto in F Major, RV 434, Op. 10 No. 5: II. Largo e cantabile | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 70 BPM | ||
| Pièces à deux violes du Premier Livre, Suite en sol majeur: III. Courante (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 1 | 2B | 166 BPM |