U.P. Wilson's ' "7 Comes 11" was released on its scheduled release date, August 17, 1999. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "On My Way". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, 7 Comes 11 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 7 Comes 11 by U.P. Wilson having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mess O' Blues | Jeff Healey | C Major | 6 | 8B | 124 BPM | ||
| Cookie Dough | Curtis Salgado | B Minor | 7 | 10A | 150 BPM | ||
| I Gotta Let You Go (feat. Gary Clark, Jr.) | Omar and The Howlers, Gary Clark Jr. | A Major | 6 | 11B | 114 BPM | ||
| I Got A Rich Man's Woman | Corey Stevens | D Major | 5 | 10B | 201 BPM | ||
| Half Step - Live | U.P. Wilson | D Major | 5 | 10B | 156 BPM | ||
| The Big Eye | Rusty Zinn | F♯ Minor | 7 | 11A | 128 BPM | ||
| Lose Lose | Tommy Castro, The Painkillers | F Major | 6 | 7B | 170 BPM | ||
| One More Night | Lonesome Sundown | A Major | 3 | 11B | 179 BPM | ||
| They Call Me Mud | Mud Morganfield | C Major | 6 | 8B | 97 BPM | ||
| Too Mad to Make Up | Altered Five Blues Band | F Minor | 9 | 4A | 141 BPM | ||
| Drinking Straight Tequila | Chris Cain | B Minor | 8 | 10A | 125 BPM | ||
| Gambling For My Bread | William Clarke | B♭ Major | 6 | 6B | 130 BPM | ||
| Better Be Getting It On | Smokin' Joe Kubek & Bnois King | E Minor | 8 | 9A | 126 BPM | ||
| Miss Mercy | Michael Burks | A Major | 8 | 11B | 172 BPM | ||
| Hound Dog Man - Remastered | Lonnie Mack | C Major | 8 | 8B | 101 BPM | ||
| Texas Cadillac | The Smokin' Joe Kubek Band, Bnois King | E Major | 7 | 12B | 126 BPM | ||
| Austin Shuffle | U.P. Wilson, Paul Orta and The Kingpins | E Major | 6 | 12B | 116 BPM | ||
| Worry, Worry | Johnny "Big Moose" Walker | F Major | 4 | 7B | 185 BPM | ||
| I Don't Want It | Keefer Madness | D Major | 8 | 10B | 125 BPM | ||
| Zoltar's Walk | Omar and The Howlers | D Major | 7 | 10B | 120 BPM | ||
| Wailing at Weavers | U.P. Wilson, Paul Orta and The Kingpins | E Major | 6 | 12B | 116 BPM | ||
| Percolatin' | Little Charlie & The Nightcats | F Major | 9 | 7B | 190 BPM | ||
| Blue Drops Of Rain | Corey Stevens | D♭ Major | 6 | 3B | 110 BPM | ||
| 88 Answers | Ezra Charles | C Major | 8 | 8B | 128 BPM | ||
| Pretty Baby | U.P. Wilson, Paul Orta and The Kingpins | E Major | 6 | 12B | 116 BPM |