"Let Us Get Together" by Roy Bookbinder had its release date on May 10, 1998. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Polk City Ramble". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Let Us Get Together is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Let Us Get Together by Roy Bookbinder having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Evening Redness in the West | Forest Wilson | A Major | 2 | 11B | 143 BPM | ||
| Spike Driver (John Henry) | Mississippi John Hurt | F Major | 3 | 7B | 81 BPM | ||
| K.C. Moan | Memphis Jug Band | E Major | 2 | 12B | 77 BPM | ||
| 99 Friends of Mine | Dan Reeder | D Major | 3 | 10B | 80 BPM | ||
| To Whome Should Ask | Dayborn | G Major | 4 | 9B | 128 BPM | ||
| High Sheriff Blues | Charley Patton | F Minor | 3 | 4A | 73 BPM | ||
| Closer to Me | Charlie White | B♭ Major | 7 | 6B | 140 BPM | ||
| Twang Out | Tom Botkin | G Major | 4 | 9B | 157 BPM | ||
| Good Morning Judge | Furry Lewis | A Major | 4 | 11B | 111 BPM | ||
| Coo-Coo Bird | J.D. Wilkes | A Major | 8 | 11B | 137 BPM | ||
| Crossroads Blues | John Hammond | A Major | 4 | 11B | 106 BPM | ||
| Fire Burning in Me | REU BILLION | F♯ Minor | 2 | 11A | 113 BPM | ||
| Lonely Days | Michael van Merwyk | D Major | 3 | 10B | 102 BPM | ||
| Turtle Beach | Eric Von Schmidt | F Major | 1 | 7B | 96 BPM | ||
| The Last Boogie | Hubert Sumlin | A Major | 0 | 11B | 114 BPM | ||
| Davis-Travis Rag | Roy Bookbinder | C Major | 4 | 8B | 82 BPM | ||
| In the Silence | Jazzmere | A Major | 6 | 11B | 130 BPM | ||
| Pondering | REU BILLION | E♭ Major | 1 | 5B | 87 BPM | ||
| Hills of Mexico | J.D. Wilkes | A♭ Major | 3 | 4B | 133 BPM | ||
| Got the Blues That Can't Be Satisfied | Mississippi John Hurt | C Major | 5 | 8B | 96 BPM | ||
| Fresh Mustache New Hard Hat | The Last River Bottomed Fig Plucker | G Major | 3 | 9B | 87 BPM | ||
| Mudslide | Pat Donohue | D Major | 3 | 10B | 81 BPM | ||
| Out In The Country | Greg Brown | E♭ Major | 2 | 5B | 113 BPM | ||
| The Running Kind | Hayseed Dixie | A Major | 6 | 11B | 130 BPM | ||
| Questionnaire Blues - Live November 29, 1970 | Lightnin' Hopkins | D Major | 3 | 10B | 115 BPM |