Shahnaaz Akhtar's ' "Gaytri Mantra" was released on its scheduled release date, December 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shahnaaz Akhtar's "Gaytri Mantra Mahamriyunjay Mantra" album is number 1 out of 2. On top of that, India appears to be the country where this track was created. Gaytri Mantra is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gaytri Mantra by Shahnaaz Akhtar to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeev Jeevan Jagat Mein | Rajesh Goswami | D Major | 10 | 10B | 116 BPM | ||
| Radhe Radhe Dhuni | Rahul Choudhary | C Major | 7 | 8B | 168 BPM | ||
| Nishank Ho Nirbhay Ho Mana Re | Anoopam Mission, Sadhu Pujya Sarjudasji | D♭ Major | 5 | 3B | 110 BPM | ||
| Om Jai Mahaveer Prabhu | Anjali Jain, Namita Jain, Anubhav Kapil | A Major | 4 | 11B | 90 BPM | ||
| Ganesh Vandana | Manish Newar, Vivek Prakash | E♭ Minor | 6 | 2A | 112 BPM | ||
| Viveka Choodamani | Bhanumathi Narasimhan | G Major | 1 | 9B | 81 BPM | ||
| Shree Krishna Govind | Pranita | E Major | 7 | 12B | 103 BPM | ||
| Narmada Aarti | Mithai Lal Chakraborty | A♭ Major | 6 | 4B | 101 BPM | ||
| Tune Ajab Racha Bhagwan Khilona Maati Ka | Isha, Muskan, Shital, Annu, Manisha | D♭ Major | 7 | 3B | 95 BPM | ||
| Akhand Radheykrishna Dhun | Mannraj Parihar | E Major | 6 | 12B | 100 BPM | ||
| Har Har Narmade | Saara Akhtar, Shahnaaz Akhtar | B♭ Minor | 9 | 3A | 130 BPM | ||
| Tere Dar Pe Sar Jhukaya | Pravin Mahamuni | A Major | 8 | 11B | 72 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Ehi Rahiya Hari Ji Ke Aawan Hoyi | Pujya Rajan Ji Official | A♭ Major | 7 | 4B | 126 BPM | ||
| Jay Sadaguru Devan Dev Varam Vandana | Sant Shri Asharamji Bapu | B♭ Minor | 6 | 3A | 136 BPM | ||
| Bhala Kisi Ka Kar Na Sako To Bura Kisi Ka Mat Karna | Gyanendra Sharma | B♭ Minor | 5 | 3A | 137 BPM | ||
| Radha Kavach | Rinky Vishwakarma | E Minor | 8 | 9A | 105 BPM | ||
| Sohang Ram Ram | Dhun | Santram Dhun | Hari cassettes | E♭ Minor | 8 | 2A | 80 BPM | ||
| Gayatri Mata Aarti | Vishnu Narayan, Tripti Shakya | D♭ Major | 9 | 3B | 95 BPM | ||
| Tera Mangal Mera Mangal Prarthna | Dhanashree Deshpande | E♭ Major | 4 | 5B | 102 BPM | ||
| Om Jai Shiv Omkara, Prabhu Har Shiv Omkara | Shyam Saajan | A♭ Major | 7 | 4B | 90 BPM | ||
| Shree Ram Jai Ram Jai Jai Ram | Baba Maharaj Satarkar | E♭ Minor | 9 | 2A | 86 BPM | ||
| Chalo Bhole Baba Ke Dware | Hariharan | A♭ Major | 5 | 4B | 114 BPM | ||
| Jai Jai Radhavallabh Sri Harivansh | Shri Rajendra Das Ji Maharaj Malook Peeth | B♭ Major | 3 | 6B | 122 BPM | ||
| Ram Naam Ke Hire Moti | Manish Tiwari | B♭ Minor | 5 | 3A | 89 BPM |