Gil Assis, Ana Fridman, Zeca Baleiro's ' "O Cão e a Flor" was released on its scheduled release date, October 6, 2015. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. O Cão e a Flor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "O Que Há de Concreto na Canção?". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Brazil. In terms of popularity, O Cão e a Flor is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With O Cão e a Flor by Gil Assis, Ana Fridman, Zeca Baleiro having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vias de Fato | Metá Metá | E Minor | 5 | 9A | 93 BPM | ||
| Aquarela do Brasil | Yemanjá | E Minor | 2 | 9A | 103 BPM | ||
| Para querer | Nando Reis | F Minor | 4 | 4A | 116 BPM | ||
| Tara | Rodrigo Amarante | E Minor | 3 | 9A | 120 BPM | ||
| Chorar Na Beira Do Mar | Pedro Mizutani, Skinshape | C Minor | 3 | 5A | 154 BPM | ||
| À deriva | Cícero | D♭ Minor | 1 | 12A | 79 BPM | ||
| Cinza | Fagner | D Major | 8 | 10B | 135 BPM | ||
| Rajada | Ão | B Minor | 2 | 10A | 125 BPM | ||
| Pra Dizer Adeus | Edu Lobo, Antônio Carlos Jobim | D Minor | 3 | 7A | 75 BPM | ||
| Sutileza | Cerrero, Coladera | G Major | 4 | 9B | 108 BPM | ||
| Oração 17 (risco) | Luiza Brina | B Minor | 4 | 10A | 109 BPM | ||
| Vi Gnin | Lionel Loueke, Christi Joza Orisha, Cyro Baptista | A Minor | 1 | 8A | 134 BPM | ||
| Santa Cruz | Phylipe Nunes Araújo | E♭ Minor | 3 | 2A | 96 BPM | ||
| O “Segredo” Dessa Vida | Fernando Beltran, Munay | B♭ Major | 0 | 6B | 127 BPM | ||
| Cantada (Depois de Ter Você) | Adriana Calcanhotto | C Major | 2 | 8B | 156 BPM | ||
| Sahariene | Chico César | B Minor | 1 | 10A | 111 BPM | ||
| Bom Dia | Zizi Possi | B Minor | 5 | 10A | 105 BPM | ||
| Gente Humilde | António Zambujo, Yamandu Costa | D Minor | 2 | 7A | 103 BPM | ||
| Coracao Vagabundo | João Gilberto | D Minor | 1 | 7A | 130 BPM | ||
| O Vento | Mônica Salmaso | D Minor | 2 | 7A | 190 BPM | ||
| João | Dora Morelenbaum, Di Melo | B Minor | 1 | 10A | 110 BPM | ||
| Peraltice de Saci | Elisa Manzano, Paula Mourão | D♭ Major | 3 | 3B | 124 BPM | ||
| MON'AMI | Tiganá Santana | F♯ Minor | 2 | 11A | 142 BPM | ||
| Não Vás Preta | Tiganá Santana | F♯ Minor | 0 | 11A | 97 BPM | ||
| Sê Rei | Mãeana | B Major | 4 | 1B | 158 BPM |