Théo Ould, Quatuor Bilitis, Blanche Stromboni's 'Libertango: Introduction (After Piazzolla)' had a release date set for September 19, 2025. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Libertango: Introduction (After Piazzolla)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Piazzolla: Balada para un loco". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Libertango: Introduction (After Piazzolla) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Libertango: Introduction (After Piazzolla) by Théo Ould, Quatuor Bilitis, Blanche Stromboni having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Cathédrales | Matthieu Saglio | E Minor | 1 | 9A | 133 BPM | ||
| Lavender | David Orlowsky, Daniel Stelter, Tommy Baldu | E♭ Minor | 0 | 2A | 134 BPM | ||
| Flambée montalbanaise (Arrangements pour accordéon et quintette à cordes) | Félicien Brut, Quatuor Hermès, édouard Macarez | C Minor | 3 | 5A | 69 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: II. Andante | Felix Mendelssohn, Quatuor Ébène, Belcea Quartet | F Minor | 2 | 4A | 89 BPM | ||
| Someday My Prince Will Come | Dino Saluzzi, Jacob Young, José Maria Saluzzi | C Major | 0 | 8B | 77 BPM | ||
| Pavane du levant | Renaud Garcia-Fons, Claire Antonini | B Minor | 3 | 10A | 79 BPM | ||
| Souvenir de Spa, Op. 2: I. Allegro agitato | Adrien François Servais, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| Harvest Wind Reverie | Bheto VN | F Minor | 2 | 4A | 89 BPM | ||
| I | Sammy Weissberg, Samuel Weissberg | F Minor | 2 | 4A | 89 BPM | ||
| Walzer für den Frühling | Fei Scho | G Major | 2 | 9B | 107 BPM | ||
| Bridge - Oltrepassare II | Pietro Roffi | G Major | 0 | 9B | 112 BPM | ||
| Parlami di me - From "La Dolce Vita", Arr. for Cello and Piano | Fulvia Mancini, Jonathan Floril | A Minor | 1 | 8A | 108 BPM | ||
| Piazzolla / Arr. Morganti: Chau Paris | Lucienne Renaudin Vary | G Minor | 2 | 6A | 132 BPM | ||
| MARZO | Miguel Campello | C Major | 5 | 8B | 128 BPM | ||
| Akram Khan's Giselle (After A. Adam): Ceremony | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Houria | Vincent Ségal, Stéphane Kerecki, Airelle Besson | D Major | 1 | 10B | 138 BPM | ||
| Plink Plonk | Laurent Dury | C Minor | 3 | 5A | 94 BPM | ||
| Scherzo and March (Music from the Opera «Love for Three Oranges») | Alexander Hrustevich | D Minor | 3 | 7A | 131 BPM | ||
| Buenos Aires 1950 | Dino Saluzzi, Jacob Young, José Maria Saluzzi | C Major | 0 | 8B | 77 BPM | ||
| Partita in E Minor, BWV 830: I. Toccata (Transcr. for Accordion by Théo Ould) | Johann Sebastian Bach, Théo Ould | A Minor | 4 | 8A | 160 BPM | ||
| Camino | Ballaké Sissoko, Emile Parisien, Vincent Peirani | G Major | 2 | 9B | 132 BPM | ||
| Beethoven #7, 2nd Movement | David Helbock | A Minor | 0 | 8A | 129 BPM | ||
| Northern Sun | Dino Saluzzi, Jacob Young, José Maria Saluzzi | C Major | 0 | 8B | 77 BPM | ||
| Pont de la Tournelle | Claudio Constantini | F♯ Major | 2 | 2B | 121 BPM | ||
| Folías de España | Fahmi Alqhai, Accademia del Piacere, Quiteria Muñoz | D♭ Minor | 3 | 12A | 177 BPM |