"The Final Sound" by The Cure had its release date on April 18, 1980. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 10 in the song's album "Seventeen Seconds". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Final Sound's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Final Sound by The Cure having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Egypt (Bonus Track) | Voodoo Church | G Major | 7 | 9B | 201 BPM | ||
| Sly Doubt | Cabaret Voltaire | D♭ Major | 4 | 3B | 132 BPM | ||
| When the Hammer comes down (+) | Pink Turns Blue | B Minor | 9 | 10A | 120 BPM | ||
| Demon | London After Midnight | D Minor | 7 | 7A | 107 BPM | ||
| Unison - Unfinished Outtake | Talking Heads | C Major | 9 | 8B | 126 BPM | ||
| Sunlight Seen Through Towering Trees | David Sylvian | C Major | 1 | 8B | 62 BPM | ||
| Art Decade - 2017 Remaster | David Bowie | A Major | 2 | 11B | 78 BPM | ||
| Frustration | Soft Cell | A Minor | 7 | 8A | 192 BPM | ||
| Dear Familiar Phantoms | Mephisto Walz | C Major | 8 | 8B | 84 BPM | ||
| Claire's Horrors - Demo Version | London After Midnight | D Major | 9 | 10B | 111 BPM | ||
| Money Changes Everything - 2011 Remaster | The Smiths | A Minor | 8 | 8A | 99 BPM | ||
| Ghosteps | Bat Nouveau | A Minor | 6 | 8A | 130 BPM | ||
| A Moment sometimes | Pink Turns Blue | D Minor | 10 | 7A | 166 BPM | ||
| Stahlwerk | Lebanon Hanover | D Major | 6 | 10B | 140 BPM | ||
| No Birds | Public Image Ltd. | D Major | 5 | 10B | 145 BPM | ||
| Sehnsucht - Zitternd | Einstürzende Neubauten | F Minor | 7 | 4A | 94 BPM | ||
| Invisible Sun | The Police | B♭ Major | 4 | 6B | 120 BPM | ||
| Psycho Magnet | London After Midnight, Sean Brennan | E Minor | 9 | 9A | 111 BPM | ||
| It's So Hard | The Jesus and Mary Chain | G Minor | 9 | 6A | 143 BPM | ||
| Repetition - 2017 Remaster | David Bowie | E♭ Major | 7 | 5B | 128 BPM | ||
| Cut Dead | The Jesus and Mary Chain | G Major | 5 | 9B | 104 BPM | ||
| Children on Stun | The March Violets | G Major | 5 | 9B | 188 BPM | ||
| I Nearly Married A Human 2 - 1998 Remaster | Tubeway Army | C Major | 4 | 8B | 114 BPM | ||
| The Purest Blue | Love and Rockets | C Major | 1 | 8B | 104 BPM | ||
| Soul Mining | The The | E Minor | 3 | 9A | 97 BPM |