On August 15, 1996, the song "I Must Have Been A Fool" was released by Bill Champlin. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Through It All". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, I Must Have Been A Fool is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Must Have Been A Fool by Bill Champlin having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothin' You Can Do About It | The Manhattan Transfer | F Minor | 5 | 4A | 76 BPM | ||
| History | Jay Graydon | F Minor | 4 | 4A | 172 BPM | ||
| The Fool Is All Alone | Bill Champlin | A Major | 3 | 11B | 80 BPM | ||
| Memory in the Wind | Samoyed | A Minor | 4 | 8A | 107 BPM | ||
| Laugh It Off | Fred Knoblock, J. Fred Knobloch | D Major | 9 | 10B | 127 BPM | ||
| Stars | Seals and Crofts | E♭ Minor | 5 | 2A | 73 BPM | ||
| Release Yourself | Marc Jordan | E Major | 5 | 12B | 127 BPM | ||
| I'm In Love Again | Homi & Jarvis | A♭ Major | 6 | 4B | 85 BPM | ||
| Got to Be Lovin' You | Erik Tagg | D♭ Minor | 6 | 12A | 97 BPM | ||
| After the Love Is Gone | Airplay | D♭ Minor | 4 | 12A | 127 BPM | ||
| On the Wing | Crackin' | F Major | 4 | 7B | 78 BPM | ||
| You're Not Alone | Jay Graydon | G Minor | 5 | 6A | 82 BPM | ||
| New York Bars | Brenda Russell | A Minor | 5 | 8A | 79 BPM | ||
| New York Town | State Cows | F Major | 4 | 7B | 129 BPM | ||
| Someone Like You | David Roberts | E♭ Minor | 7 | 2A | 133 BPM | ||
| One Night With You | Gino Vannelli | B Minor | 6 | 10A | 94 BPM | ||
| Midnight Rendezvous | David Roberts | A Major | 5 | 11B | 131 BPM | ||
| Slowly Rock You | Mandel Larkin | C Major | 8 | 8B | 175 BPM | ||
| Come Back to Me | Tom Scott | C Minor | 4 | 5A | 77 BPM | ||
| Nobody's Fool | Bill LaBounty | B Minor | 3 | 10A | 98 BPM | ||
| They Danced | Maxus | F Minor | 9 | 4A | 140 BPM | ||
| Radio Dream | Roger Voudouris | G Major | 6 | 9B | 201 BPM | ||
| Take It Uptown | Bill Champlin | G Major | 9 | 9B | 123 BPM | ||
| Dive into the Pool of Love | Stephen Bishop | C Major | 7 | 8B | 113 BPM | ||
| '65 Love Affair | Paul Davis | A Minor | 8 | 8A | 155 BPM |