"Albion Assault" by Johan Söderqvist, Patrik Andrén had its release date on August 24, 2018. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 16 in Battlefield 1: In the Name of the Tsar (Original Game Soundtrack) by Johan Söderqvist, Patrik Andrén, EA Games Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Albion Assault's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albion Assault by Johan Söderqvist, Patrik Andrén is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mobilize | Jeff van Dyck | D Major | 7 | 10B | 180 BPM | ||
| There Is Hope | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Invasion | Nick Arundel | D♭ Major | 4 | 3B | 75 BPM | ||
| Prologue | Ola Strandh | E Major | 4 | 12B | 128 BPM | ||
| New London Ultimatum | Piotr Musiał | A Minor | 5 | 8A | 82 BPM | ||
| Cargo High (From "Death Stranding" Score) | Joel Corelitz | A Major | 9 | 11B | 126 BPM | ||
| Leuze's Gambit | Nima Fakhrara | D Major | 2 | 10B | 156 BPM | ||
| Melville | Sean Murray | D Major | 3 | 10B | 90 BPM | ||
| Can We Still Trust Our Machines - Markus | John Paesano | D♭ Major | 6 | 3B | 120 BPM | ||
| Through the Clouds | Gaijin Entertainment, Jimmie Asche, Nikita Mokrov | D♭ Major | 5 | 3B | 140 BPM | ||
| Tremors | Patrik Andrén, Johan Söderqvist, Embark Studios | G Minor | 4 | 6A | 139 BPM | ||
| Marigny | Wilbert Roget, II | D Major | 5 | 10B | 129 BPM | ||
| Prepare for War | Howard Mostrom | E Minor | 6 | 9A | 100 BPM | ||
| Spitfires | Johan Söderqvist, Patrik Andrén | F Minor | 5 | 4A | 160 BPM | ||
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| The Battle | Luc St-Pierre | F♯ Minor | 8 | 11A | 130 BPM | ||
| Heatseeker | Ola Strandh | F Major | 8 | 7B | 90 BPM | ||
| Battlefleet Gothic Theme | Doyle W. Donehoo | F Minor | 8 | 4A | 120 BPM | ||
| Claustrophobic March | Mangalf | D♭ Major | 3 | 3B | 87 BPM | ||
| They All Look The Same - Connor | Nima Fakhrara | D Minor | 9 | 7A | 83 BPM | ||
| Onslaught | Nima Fakhrara, Steve Molitz | A Major | 6 | 11B | 177 BPM | ||
| Rushing | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| The Shepherd | Piotr Musiał | A Minor | 3 | 8A | 85 BPM | ||
| Exfiltrate the Hotzone | Ludvig Forssell | D♭ Major | 6 | 3B | 102 BPM | ||
| Alien | Joel Nielsen | A♭ Major | 4 | 4B | 119 BPM |