"Never Say Never" by Marva Hicks had its release date on January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Marva Hicks's "Marva Hicks" album is number 4 out of 10. Never Say Never is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Never Say Never by Marva Hicks to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Virgin Island | Damian Dame | E♭ Minor | 5 | 2A | 144 BPM | ||
| 'Til You Come Back To Me | Rachelle Ferrell | A Minor | 4 | 8A | 97 BPM | ||
| Sway (Dance The Blues Away) | Mica Paris | B Minor | 5 | 10A | 177 BPM | ||
| Never Stop Loving Me | Keni Burke | A♭ Minor | 5 | 1A | 95 BPM | ||
| Love You Forever | Milira | G Major | 7 | 9B | 96 BPM | ||
| Sarah Sarah | Jonathan Butler | F Major | 3 | 7B | 180 BPM | ||
| Still Waiting | Bert Robinson | B♭ Minor | 8 | 3A | 149 BPM | ||
| All I Want Is You | Harold Grate the Firebolts, Marva Hicks | D♭ Minor | 8 | 12A | 90 BPM | ||
| Time After Time | Gary Taylor | D Major | 5 | 10B | 136 BPM | ||
| Baby I'm for Real - 7" Version | Sherrick | F Major | 4 | 7B | 82 BPM | ||
| Spend Another Night | Tanya Blount | G Major | 7 | 9B | 144 BPM | ||
| All of You | Lillo Thomas | A Major | 4 | 11B | 129 BPM | ||
| Say We'll Be Together | Jonathan Butler | G Major | 4 | 9B | 90 BPM | ||
| I Hate To Be Lonely | Shanice | F Major | 7 | 7B | 91 BPM | ||
| Why Oh Why | McFadden & Whitehead | C Major | 6 | 8B | 128 BPM | ||
| Too Good to Let You Go | Angela Winbush | C Minor | 6 | 5A | 136 BPM | ||
| Do You Wanna Get Serious | Regina Belle | A Major | 5 | 11B | 71 BPM | ||
| Life Keeps Moving On | Oleta Adams | D♭ Major | 4 | 3B | 127 BPM | ||
| (You're My) Shining Star | Curtis Hairston | E♭ Major | 5 | 5B | 86 BPM | ||
| Red Roses | Midnight Star | A Minor | 5 | 8A | 168 BPM | ||
| Nothin' Better Than Lovin' You | Rodney Mannsfield | G Minor | 6 | 6A | 82 BPM | ||
| When Love Is New | Randy Crawford | D♭ Minor | 6 | 12A | 160 BPM | ||
| This Love | Rude Boys | E♭ Minor | 5 | 2A | 124 BPM | ||
| Person To Person | Vesta Williams | B Minor | 7 | 10A | 137 BPM | ||
| Color Me Blue | Tina Moore | G Minor | 7 | 6A | 156 BPM |