"Tweet Me Senseless" by Stephen Bell had its release date on February 13, 2017. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Tweet Me Senseless's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephen Bell's "My Audio Diary" album is number 2 out of 6. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Tweet Me Senseless's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tweet Me Senseless by Stephen Bell to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Return of the King (feat. Sir James Galway, Viggo Mortensen and Renee Fleming) | Howard Shore, Renée Fleming, James Galway, Viggo Mortensen | D Major | 1 | 10B | 78 BPM | ||
| Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| Ballerina | Winterbell | C Major | 2 | 8B | 80 BPM | ||
| Walking In The Air - Violin & Piano Version | Paul Hankinson Covers, Clara Tietz | E Major | 2 | 12B | 88 BPM | ||
| Somewhere in My Memory (from "Home Alone") | Stardust Dreamer | D Major | 2 | 10B | 70 BPM | ||
| Concerto No. 1 for oboe and strings: 2. Andante con moto | Gordon Jacob, Ruth Bolister, Elgar Chamber Orchestra, Stephen Bell | C Minor | 1 | 5A | 130 BPM | ||
| Victoria | Maurice Jarre | G Major | 0 | 9B | 118 BPM | ||
| Rosamunde, D. 797: No. 5, Entracte 3 in B-Flat Major. Andantino | Franz Schubert, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 92 BPM | ||
| Hope For the Best, But Expect the Worst | Stephen Bell | C Major | 10 | 8B | 143 BPM | ||
| No Place On Earth | SK Curtis, Piano Jams | B♭ Major | 4 | 6B | 180 BPM | ||
| Harry in Winter - From "Harry Potter and the Goblet of Fire" | The City of Prague Philharmonic Orchestra | B Minor | 3 | 10A | 120 BPM | ||
| Suite from "The Polar Express" | Ashton Gleckman | C Major | 2 | 8B | 87 BPM | ||
| Softly | Will Todd, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 133 BPM | ||
| Candles | Jalaapeno | C Major | 0 | 8B | 75 BPM | ||
| A Small Box | Jodok Cello, Schwiizergoofe, GiggleGang | G Major | 4 | 9B | 102 BPM | ||
| The Reunion | James Newton Howard | C Minor | 1 | 5A | 115 BPM | ||
| Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| Ave Maria | Schubert, Nil, Paul Hart & Elizabeth Le Grove | B♭ Major | 0 | 6B | 72 BPM | ||
| Christmas Begins | Trevor Kowalski | D Major | 6 | 10B | 143 BPM | ||
| Snow Castles | Hans Johnson | C Major | 0 | 8B | 75 BPM | ||
| Be thou my vision - SATB | Bob Chilcott, The Oxford Choir | A♭ Major | 1 | 4B | 86 BPM | ||
| Requiem: XI. Lux Aeterna - Radio Cut | Michael John Trotta, Tenebrae, Nigel Short | A Minor | 0 | 8A | 76 BPM |