Bhawar Chaudhari, Rekha Trivedi, Sheela Sethia, Archana Vyas's ' "Liludi Rayan Taru Tale" was released on its scheduled release date, August 7, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Trishlaji Ra Ladla". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Liludi Rayan Taru Tale is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Liludi Rayan Taru Tale by Bhawar Chaudhari, Rekha Trivedi, Sheela Sethia, Archana Vyas having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Namo Bhagvate Vasudevaya | Jaya Kishori | E♭ Minor | 7 | 2A | 79 BPM | ||
| Mhara Sahebji Shantinath | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya | C Minor | 7 | 5A | 92 BPM | ||
| Shiv Pita Ka Jhanda Fehar Raha Hai | Brahma Kumari | A♭ Major | 6 | 4B | 78 BPM | ||
| Kanudo Su Jane Mari Preet | Hari Bharwad | D♭ Major | 7 | 3B | 122 BPM | ||
| Jumdev Jumdev | Satish | A Major | 8 | 11B | 104 BPM | ||
| Ram Ramaiya Jag Rakhware | Hari Om Sharan | F Major | 2 | 7B | 67 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Sab Ka Bhala Mere Ramji Karen | Hari Om Sharan | D♭ Minor | 5 | 12A | 97 BPM | ||
| O Karuna Na Karnara | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | B♭ Minor | 5 | 3A | 107 BPM | ||
| Amee Bhareli Najaru Rakho | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Ram Rakhe Em Rahevun | Narayan Swami | F Major | 3 | 7B | 83 BPM | ||
| Teri Karoona Se Sabki Hai Wipda Tali | Babla Mehta | A♭ Major | 7 | 4B | 164 BPM | ||
| Jeevan Hai Anmol | Praveen-dimple | F♯ Minor | 3 | 11A | 72 BPM | ||
| Shiv Shambhuchi Tu Sakhya | Kanchan | D♭ Minor | 9 | 12A | 135 BPM | ||
| Ghonghadiwala Kambliwala | Ajit Kadkade | B Major | 6 | 1B | 90 BPM | ||
| Radharas Bihari | Nandini Sharan | D Major | 5 | 10B | 141 BPM | ||
| Hanso Ke Rath Par Hoke Sawar | Anup Jalota | B♭ Major | 7 | 6B | 79 BPM | ||
| Joyu Joyu Me Virpur | Sanjay Ojha, Meena Patel | B Major | 5 | 1B | 80 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Aeja Aeja Na Ja Na Ja | Narendra Singh Negi, Shashi Joshi, Santosh Khetwal | A Minor | 4 | 8A | 143 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Dekho Jani Dushman Apas Men Yaar | Suresh Wadkar, Jaspal Singh | F Major | 5 | 7B | 168 BPM | ||
| Praniya Bhajile Ne | Hari Bharwad | F Major | 6 | 7B | 151 BPM | ||
| Radha Ke Manmeet Saanware - Original | Anup Jalota & Lalitya Munshaw | F♯ Minor | 5 | 11A | 132 BPM | ||
| Haal Dukh Dega To | Chandan Dass | B Major | 5 | 1B | 146 BPM |